Showing posts with label Japan. Show all posts
Showing posts with label Japan. Show all posts

Monday, July 9, 2012

Spies, Buddhist Priests and Bamboo: Riley Lee

Komoso


Once upon a time in Japan there was a class of people known as komoso (nothingness priests) who were practitioners of Zen Buddhism of the Fuke sect. The adherents of this sect were committed to expressing the ineffable aspects of spiritual enlightenment and therefore, like their colleagues in other sects, did not chant Buddhist sutras.  Rather they played a long bamboo flute known as the shakuhachi, and in particular, a meditative tune cycle called honkyoku which expressed and encouraged spiritual awakening. The komoso had special permission from the Shogun to travel about the countryside as part of their spiritual practice, a privilege not granted readily in those days to common folk.  As they wandered, komoso would often cover their heads with a wicker basket to signify their detachment from the world’s pleasures and temptations, and blow their plaintive pipes.

Shakuhachi

Now, we all know that in the contemporary world, many a sinner has found secure lodging behind the mask of religion.  But this is not a modern turn of events. Even in those days of medieval Japan, warlords and petty kings saw the advantage to be had of sending out their spies dressed up with a basket on their head and a flute on their lips. The public and officialdom would both respectfully defer from approaching the mendicants, who were more often than not, making mental notes of mischief makers and unsuspecting innocents to report back to the boss.

But the Fuke masters were not ones to let their practice be corrupted by politicians. So they composed intricate musical passages, which only true monks with many years practice could perform. Whenever there was a need to test the bona fides of a basket-wearing komoso he would be asked to perform a shika na tone (test). If he failed he quickly met his fate in the form of a sword through the body.
Riley Lee

Shakuhachi players were almost all men and until Riley Lee came along, almost entirely Japanese. Lee is an American-Australian, who lives in Sydney. He is a master of the shakuhachi which he learned during an extended period in Japan and has been a prominent exponent of the flute and its mellow tones to audiences outside of its homeland.  Tonight we share his album, Mixed Spice, which gorgeously brings together the land of the rising sun and the land of the birthplace of Buddha.  The music is airy and contemplative. But also sparkling and clear like a stream in a rock garden.


            Track Listing:
            01 White Horse In Dark Valley
02 Mixed Spice
03 Stairway Of Waterfalls Part 1
04 Stairway Of Waterfalls Part 2
05 Waiting For The Angels
06 Carasol
07 Felucca To Zanzibar
08 Serendipity

Thursday, July 28, 2011

Okinawa Roots Folk Pop Country: Shoukichi Kina

Peppermint Tea House: The Best of Shokichi Kina is a strangely adorable record. Exuberant, upbeat, almost hillbilly music from Japan’s southern island of Okinawa, most famous for American military bases (and scandals) and the martial art, karate.  The ‘roots-music’ feel is enhanced by the glorious guesting of guitar genius Ry Cooder!   

The Okinawans are of different ethnic stock than mainland Japanese and speak a different language and have a history that has been influenced by China and Thailand as much as their national neighbors to the north. That their language is distinct from Japanese was made clear to me when I asked a Japanese friend to translate some of the lyrics of this record. She furrowed her brow and squinted. Listening intently. After a few minutes she said, “Have no idea.”
Sanshin

Sanba
The musical instruments on this record (in addition to Cooders’ heavenly slide guitar work) include the sanshin a three stringed banjo like instrument related to the Chinese sanxian. When it’s plucked with a bamboo plectrum it produces a strong clear twang which is perfectly suited to lively dance music. There is also evidence of the sanba a hand held percussion instrument that makes a clicking castanet sound.  High pitched, slightly pubescent female singing moves the music forward in a way that at first listen is outlandish but that is easy to warm to.

As for the main man himself here’s what a Japanese pop music website says about him: 
Shoukichi Kina

Shokichi Kina is to Okinawan music what Bob Marley was to reggae: The Man. Kina, born in Okinawa in 1948, is perhaps best known as the composer of Subete no Hito no Kokoro ni Hana wo (Blooming Flowers in the Hearts of All), an undisputed Japanese pop-music classic that's best-known simply as Hana. Kina and his backing band, Champloose, first became known in 1972 when they scored a hit with Haisai Ojisan (Hey Man). In 1980 Kina and Champloose released Blood Line, one of the best ethnic/rock fusion albums ever to come out of Japan. That album featured Ry Cooder on four tracks, by the way, including a heartbreakingly beautiful slide-guitar solo on Hana. Like Marley, Kina has tremendous natural charisma and a strong political/spiritual outlook that in Kina's case is expressed in his opposition to the continued U.S. military presence on Okinawa and in his outspoken advocacy of Okinawan independence from Japan. Over the years Kina has continued to work with musicians from other parts of the world, including African and Caribbean musicians, and in 2004 he was elected to the Japanese parliament's House of Councillors under the Minshuto (Democratic Party) banner.  (http://nippop.com/artists/Shokichi_Kina/)

Enjoy. I’lll be surprised if you don’t put a couple of these songs (Jing Jing and Subete no Hito no Kokoro ni Hana wo are my favorites) on your iPod favorites.

         Track Listing:
01 Jing Jing
02 Hana No Kajimaya
03 Celebration
04 Mimichiri Bozu _ Danju Kariyushi
05 Don-Don Bushi
06 Zorba De Buddha
07 Basha-Gua Suncha
08 Crazy Kacharsee
09 Subete No Hito No Kokoro Ni Hanna O
10 Haisai Ojisan
11 Eternally Ecstasy
12 Lyunu-Pri
13 I-Yah Hoy!
14 Track 14 (Bonus Track)
Listen here.