tag:blogger.com,1999:blog-65123705524804371822024-03-19T13:46:41.519+11:00washerman's dogajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.comBlogger502125tag:blogger.com,1999:blog-6512370552480437182.post-89526951733946274822019-04-28T11:26:00.001+10:002019-04-28T11:27:09.750+10:00Music Lover's Announcement<div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
Hi there,<br />
<br />
If you here because you're looking for old files/links to great music you may be disappointed. This blog is now officially 'deceased', though many (but not most) of the links are still active.<br />
<br />
If you are an old follower of Washerman's Dog or someone who has just stumbled upon the blog, I'd like to direct your attention to a new blog <b><a href="https://sardineelectric.wordpress.com/">Electric Sardine</a>.</b><br />
<b><br /></b>
Like the old Washerman's Dog, you'll find lots of music and info from all over the world and of all sorts. The only exception is music from South Asia and the South Asian diaspora. For that there is a separate blog <a href="https://harmoniummusicblog.wordpress.com/">Harmonium</a>.<br />
<br />
So if you looking for a new blog that might have some different and interesting music, please come on over to <a href="https://sardineelectric.wordpress.com/">Electric Sardine</a> and follow and tell your friends.<br />
<br />
Cheers<br />
(the old) Washerman's Dog<br />
<br />
<br /></div>
ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com5tag:blogger.com,1999:blog-6512370552480437182.post-87331486511708121322013-05-11T09:26:00.002+10:002018-08-01T08:26:02.902+10:00Moving Locations<div dir="ltr" style="text-align: left;" trbidi="on">
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A FEW MESSAGES</div>
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<br /></div>
This blog moved in 2013 to this<a href="http://wdajnabi.wordpress.com/"> location</a> which has now also been folded up. The latest iteration of my blog that is focused on NON-SOUTH ASIAN music is slowly building up traction <a href="https://sardineelectric.wordpress.com/">HERE</a>.<br />
<br />
NOTE: IF YOU ARE LOOKING FOR INFO/POSTS FROM SOUTH ASIA (India, Pakistan, Afghanistan, Nepal, Bangladesh, Sri Lanka, Bhutan, Maldives) PLEASE CHECK OUT THE <a href="http://www.harmoniummusic.com.au/">HARMONIUMMUSIC</a>, THE SITE THAT IS 100% DEDICATED TO MUSIC FROM THIS PART OF THE WORLD.<br />
<br />
<br />
NOTE TWO: Even though this blog is no longer regularly updated with new music I do regularly, and upon request, update links. Most of the updated links relate to South Asian music and can be identified with a note in the subject line that reads FRESH LINK (or similar). I am happy to consider requests for re-ups but cannot guarantee a particular timeline. But in most cases I am able to respond positively within 48 -72 hours.<br />
<br />
NOTE THREE: For those of you with an interest in the South Asian film music I have a <a href="https://dailylollyblog.wordpress.com/">very good blog</a> that is dedicated to the film songs of Lollywood (Pakistan's film industry).<br />
<br />
In short, there is a lot of great music here. I do hope you enjoy And if you do please drop me a line in the comments box or at ajaymasoori@yahoo.com.<br />
<br />
Happy Listening.<br />
<br />
<br />
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com3tag:blogger.com,1999:blog-6512370552480437182.post-88895757938678987592013-05-09T12:19:00.000+10:002013-05-09T12:19:22.727+10:00Slow Road to Senegal: Spirit of Teranga<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">My first exposure to African music was to<b> Fela’s</b> record <i>Zombie</i>. My second was to the
dance music of <b>Toure Kunda,<i> </i></b> the Senegalese band whose records spiced up
countless mid-80’s parties at University.
After their bright flash across the consciousness of American college
kids <b>TK</b> seem to have faded from
view. Sad, because they opened an intriguing window into the music of that West
African country, that their disappearance or fall from critical favour, seemed
to slam shut.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Today the spotlight is back on Senegal with a fabulous
double disc set called <i>African Pearls:
The Spirit of Teranga Senegal.<o:p></o:p></i></span></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lMM7DCPbZoUa4gSloZDp5mk-eAUa2srPl563rTzaNF-66LJy4F3gEU7-lGum1NbRLSqyL8hhjGAEf-OHxA9ceqmtUUQz8QW_etsaqU8eRIs5iWcrVFUgPnHk37dQaO1GA8SF96c3HEQ/s1600/senegal+teranga.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lMM7DCPbZoUa4gSloZDp5mk-eAUa2srPl563rTzaNF-66LJy4F3gEU7-lGum1NbRLSqyL8hhjGAEf-OHxA9ceqmtUUQz8QW_etsaqU8eRIs5iWcrVFUgPnHk37dQaO1GA8SF96c3HEQ/s320/senegal+teranga.jpg" width="312" /></a></span></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A languid tour of Senegalese music as if on a local bus that
stops frequently at village after village.
In no hurry to get to wherever you think you’re supposed to be going but
by the time you get there your questions have been answered. Though curiosity
is peaked and you are hungry for more.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Disc one is traditional music played on traditional
instruments, to ancient rhythms. Disc two is full of that sleepy, sexy Latino
club sound, played on loosely strung guitars and drum kits from another era. <o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">All very addictive.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdA-QmEw90WLimiAHnAMpXqnn34xa1xAY77iUQ9vLmm_77-9a2htVBck081f8GiIDla1PSC5hRgYsxYO2990cwTQbnO_prFolKiUtAGfGY_ICMEimg66k3yk-kFOdhXeq2KkG_pmJrmeg/s1600/51CUOMeb1RL._SL500_AA300_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdA-QmEw90WLimiAHnAMpXqnn34xa1xAY77iUQ9vLmm_77-9a2htVBck081f8GiIDla1PSC5hRgYsxYO2990cwTQbnO_prFolKiUtAGfGY_ICMEimg66k3yk-kFOdhXeq2KkG_pmJrmeg/s1600/51CUOMeb1RL._SL500_AA300_.jpg" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFU-aLToqPFw7QhSC55dh26pgGqYfbIXlbrf1Xesk2HNPBsyzAYcOt5cWwHEO1TxjnNinKeL3tTXpxrpy34dW7VNJMcon747te9qwO3Vm6AEu3Ln_O3oMOmdpst68fiNzK_DSabm628nY/s1600/senegal+teranga_0003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFU-aLToqPFw7QhSC55dh26pgGqYfbIXlbrf1Xesk2HNPBsyzAYcOt5cWwHEO1TxjnNinKeL3tTXpxrpy34dW7VNJMcon747te9qwO3Vm6AEu3Ln_O3oMOmdpst68fiNzK_DSabm628nY/s320/senegal+teranga_0003.jpg" width="320" /></a></div>
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<o:p><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></o:p></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing: (Disc 1)<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">01 Mbueguel [Aminata Fail]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">02 Boulmamine [Ensemble National du Senegal]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">03 Niani [Amadou N’Diaye Samb]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">04 Bambo Bodian [Lalo Keba Drame]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">05 Fall Amadou Abdoulaye [Diabou Seck]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">06 Tiedo [Ensemble National du Senegal]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">07 Nieti Abdou [Ndiaga Mbaye]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">08 Listakhar [Ensemble National du Senegal]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">09 Saraba [Samba Diare Samb]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">10 Birma Maofal [Ensemble Lyrique Sorano]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">11 Bandia [Soundiolou Cissokho and Mahawa Kouyate]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">12 Balingor [Soleyamama Et Watoo Sita]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">13 Laagia [Samba Diabare]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">14 Irando [Ensemble Lyrique Sorano]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">15 Diegoye [Fa Mbaye Issa Diop]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">16 Borom Keur [Thione Seck]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">17 Lamine Gueye [Orquestre Baobab]<o:p></o:p></span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;"><a href="http://www.adrive.com/public/9E4d6U/09052013%20TS%20v1.zip">here</a></span><span style="font-size: large;"><o:p></o:p></span></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing (Disc 2)<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-01 Senegal Sunugal [Orquestre Baobab]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-02 Jankaake [Star Numer One]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-03 Santa Barbara [Super International Band]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-04 Nobel [Ouza Diallo]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-05 Laagia [Nigewei International]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-06 Saraba [Ifang Bondi]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-07 Simbondon [Star Numer One]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-08 Aduana Jarul Naawo [Orquestre Baobab]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-09 Thiely [Star Band]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-10 Wallou ! [Guelewar Band]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-11 Aminta [Labah Sosseh]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-12 Waalo [Star Number One]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">2-13 Ade [Xalam]<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;"><a href="http://www.adrive.com/public/pv3vKF/09052013%20TS%20v2.zip">here</a></span><span style="font-size: large;"><o:p></o:p></span></span></b></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com3tag:blogger.com,1999:blog-6512370552480437182.post-5985215504718952102013-05-08T20:16:00.003+10:002013-05-08T20:16:38.229+10:00Ready?: Freddie Hubbard<div dir="ltr" style="text-align: left;" trbidi="on">
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<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif;">Freddie Hubbard</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">I played the trumpet or tried to, as a lad. While my efforts
were pretty lame and abandoned pretty quickly, I still love the
instrument. <b>Freddie Hubbard,</b> one of the all time greats of the
trumpet/flugelhorn is my favourite player of the bugle. Tonight we share one of his all time great
albums, from 1961, <i>Ready for Freddie,</i>
about which AMG had this to say.<o:p></o:p></span></div>
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<br /></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span lang="EN-US" style="color: #f79646;">Trumpeter <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Freddie Hubbard</span> really came into his own during this Blue Note
session. He is matched with quite an all-star group (tenor saxophonist <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Wayne Shorter</span>, pianist <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">McCoy Tyner</span>, bassist <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Art Davis</span>, and drummer <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Elvin Jones</span> in addition to <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Bernard McKinney</span> on euphonium), introduces two of his finest
compositions ("Birdlike" and "Crisis"), and is quite
lyrical on his ballad feature, "Weaver of Dreams." <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Hubbard</span>'s sidemen all play up to par and this memorable
session is highly recommended; it's one of the trumpeter's most rewarding Blue
Note albums.</span><span lang="EN-US" style="color: #f79646; mso-themecolor: accent6;">
</span><span style="color: #f79646; mso-themecolor: accent6;"><o:p></o:p></span></span></i></div>
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<br /></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">And this bio from the same source.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></div>
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<i><span lang="EN-US" style="color: #f79646;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">One of the great
jazz trumpeters of all time, <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Freddie Hubbard</span> formed his sound out of the <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Clifford Brown</span>/<span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Lee Morgan</span> tradition, and by the early '70s was immediately
distinctive and the pacesetter in jazz. However, a string of blatantly
commercial albums later in the decade damaged his reputation and, just when <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Hubbard</span>, in the early '90s (with the deaths of <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Dizzy Gillespie</span> and <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Miles Davis</span>), seemed perfectly suited for the role of veteran
master, his chops started causing him serious troubles.<o:p></o:p></span></span></i></div>
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<i><span lang="EN-US" style="color: #f79646;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">\Born and raised
in Indianapolis, <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Hubbard</span> played early on with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Wes</span>
and <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Monk Montgomery</span>. He moved to New York in 1958, roomed with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Eric Dolphy</span> (with whom he recorded in 1960), and was in the
groups of <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Philly Joe Jones</span> (1958-1959), <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Sonny Rollins</span>, <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Slide Hampton</span>, and <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">J.J. Johnson</span>, before touring Europe with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Quincy Jones</span> (1960-1961). He recorded with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">John Coltrane</span>, participated in <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Ornette Coleman</span>'s <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Free Jazz</span> (1960), was on <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Oliver Nelson</span>'s classic <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Blues and the Abstract Truth</span> album (highlighted by "Stolen
Moments"), and started recording as a leader for Blue Note that same year.
<span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Hubbard</span> gained fame playing with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Art Blakey's Jazz Messengers</span> (1961-1964) next to <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Wayne Shorter</span> and <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Curtis Fuller</span>. He recorded <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Ascension</span> with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Coltrane</span> (1965), <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Out to Lunch</span> (1964) with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Eric Dolphy</span>, and <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Maiden Voyage</span> with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Herbie Hancock</span>, and, after a period with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Max Roach</span> (1965-1966), he led his own quintet, which at the
time usually featured altoist <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">James Spaulding</span>. A blazing trumpeter with a beautiful tone on
flügelhorn, <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Hubbard</span> fared well in freer settings but was always
essentially a hard bop stylist.<o:p></o:p></span></span></i></div>
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<br /></div>
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<i><span lang="EN-US" style="color: #f79646;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">In 1970, <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Freddie Hubbard</span> recorded two of his finest albums (<span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Red Clay</span> and <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Straight Life</span>) for CTI. The follow-up, <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">First Light</span> (1971), was actually his most popular date,
featuring <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Don Sebesky</span> arrangements. But after the glory of the CTI years
(during which producer <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Creed Taylor</span> did an expert job of balancing the artistic with
the accessible), <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Hubbard</span> made the mistake of signing with Columbia and
recording one dud after another; <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Windjammer</span> (1976) and <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Splash</span> (a slightly later effort for Fantasy) are low points.
However, in 1977, he toured with <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Herbie Hancock</span>'s acoustic <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">V.S.O.P. Quintet</span> and, in the 1980s, on recordings for Pablo,
Blue Note, and Atlantic, he showed that he could reach his former heights (even
if much of the jazz world had given up on him). But by the late '80s, <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Hubbard</span>'s "personal problems" and increasing
unreliability (not showing up for gigs) started to really hurt him, and a few
years later his once mighty technique started to seriously falter. In late
2008, <span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Hubbard</span> suffered a heart attack that left him hospitalized
until his death at age 70 on December 29 of that year.<span style="color: #f79646; mso-themecolor: accent6; text-decoration: none; text-underline: none;">Freddie Hubbard</span>'s fans can still certainly enjoy his many
recordings for Blue Note, Impulse, Atlantic, CTI, Pablo, and his first Music
Masters sets.<o:p></o:p></span></span></i></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdsYUJDIAmEtd_A48mmns2KPq8MAie7kEEHgIlvXkUMOUjnB3q0ucMWTk_-l1FBmI7_kvDT-wSIV1o5wii4k04Bq3y3Y2Hg9zNZe1i_WCW9NQX3HFZtuzpWhsoN2kqHHYghbjGWd3591A/s1600/Ready+For+Freddie.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdsYUJDIAmEtd_A48mmns2KPq8MAie7kEEHgIlvXkUMOUjnB3q0ucMWTk_-l1FBmI7_kvDT-wSIV1o5wii4k04Bq3y3Y2Hg9zNZe1i_WCW9NQX3HFZtuzpWhsoN2kqHHYghbjGWd3591A/s320/Ready+For+Freddie.png" width="317" /></a></div>
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<i><span lang="EN-US" style="color: #f79646;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></span></i></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing:<o:p></o:p></span></span></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">01 Arietis<o:p></o:p></span></i></div>
<div class="MsoNormal">
<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">02 Weaver Of Dreams<o:p></o:p></span></i></div>
<div class="MsoNormal">
<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">03 Marie Anoinette<o:p></o:p></span></i></div>
<div class="MsoNormal">
<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">04 Birdlike<o:p></o:p></span></i></div>
<div class="MsoNormal">
<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">05 Crisis<o:p></o:p></span></i></div>
<div class="MsoNormal">
<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">06 Arietis (alt tk)<o:p></o:p></span></i></div>
<div class="MsoNormal">
<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">07 Marie Antoinette
(alt tk)<o:p></o:p></span></i></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;"><a href="http://www.adrive.com/public/uvEPsN/08052013%20FH.zip">here</a></span><span style="font-size: large;"><o:p></o:p></span></span></b></div>
<!--EndFragment--><br />
<br /></div>
ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com1tag:blogger.com,1999:blog-6512370552480437182.post-5219940965318436162013-05-07T20:23:00.001+10:002013-05-07T20:33:14.770+10:00Bollywood Gone Africa: Harafinso<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">For our last in this mini-series of the cinematic ‘woods’
taking or providing inspiration to Bollywood, we travel to Kannywood, in
northern Nigeria.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">In the early 1990’s I was working for some months on the
borders of Iran and Iraq. We lived in tents on a sort of heavily mined DMZ on a
plateau in the dry dun hills that rose steadily into the Zagros mountains. The
nearest city, to which we repaired once a fortnight or so, was Suleymaniah, the
largest centre of Kurds in Eastern Iraq. <o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">On one trip into town I swung through the crowded bazaars in
search of a particular brand of cigarette.
The constricted street led into a small square which was crowned with a
cinema hall. That evening’s show was a
potboiler from India called <i>Insaaf ke
Tarazu</i> (Scales of Justice). I had been aware that Bollywood films were
popular beyond the borders of India but this was the first time I had actually
seen Indian heroes and heroines doing their moves and making their faces on
posters in a foreign land. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A few months before arriving in Iraq, I had spent a long
time in Pakistan working for the UN; I was interviewing refugees from Iraq and
Iran for resettlement in the West. One Iranian young man took the interview in
flawless Urdu. I was surprised and
impressed and asked him how he had become fluent. I suspected he might be a local
student and was trying to rort the UN system to get to Europe. He insisted that
he’d learned Urdu from watching Bollywood movies on TV. One day, he hoped to
return to the sub continent to try his hand at acting. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>Raj Kapoor’s</b>
giant hit of 1955 <i>Shri 420</i> , had been
a major hit in the Soviet Union and other East European countries. Across the
Middle East and South East Asia, people who otherwise spoke not a word of
Hindi, could rattle off entire dialogues from Indian films. Indeed, for the developing and recently
Independent former colonies of Asia and Africa, the films of Bombay were a sort
of cultural security blanket, far more important to popular culture than the films
and heroes of Hollywood which were causing similar waves in post war
Europe. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">And like jazz, that American music that found such fertile
ground around the world, the playback singer based music of Hindi cinema, was
the soundtrack for millions of African, Middle Eastern and Asian youth growing
up in the 50s-70s.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">So I wouldn’t say I was surprised but rather entirely
pleased to discover through today’s featured record, <i>Harafinso: Bollywood Inspired Film Music from Hausa Nigeria.</i> Put
out by the excellent cultural warriors at sahelsounds this record gives the
world the chance to listen into contemporary popular music from Kano and Kaduna
and the Islamic lands of northern Nigeria.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Full post and goodies <a href="http://www.harmoniummusic.com.au/?p=1669">here</a></span></div>
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<br /></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com2tag:blogger.com,1999:blog-6512370552480437182.post-27922028813836888182013-05-06T12:59:00.000+10:002013-05-06T12:59:07.506+10:00Other logs from the Fire: Kollywood<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrEOO_T3FNs_BPoEi_HZl_nnpbubOY06ae3z3A_mPFJ0C6scD2iEpo9Tkt_PKu4NPdZD9FHs0uBlUXEnPbnVXRAMqLSOn7SR6UYUEJTars32GHbufy-bNdhLLKqYhFGAHsx8wyL22eTHg/s1600/kollywood+041.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrEOO_T3FNs_BPoEi_HZl_nnpbubOY06ae3z3A_mPFJ0C6scD2iEpo9Tkt_PKu4NPdZD9FHs0uBlUXEnPbnVXRAMqLSOn7SR6UYUEJTars32GHbufy-bNdhLLKqYhFGAHsx8wyL22eTHg/s320/kollywood+041.jpg" width="320" /></a></div>
<span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">And for many years the most exciting, challenging, innovative and free flowing film music has come from the music directors, composers and musicians of Tamil Nadu.</span></span><br />
<span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></span>
<span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Full post and goodies <b><a href="http://www.harmoniummusic.com.au/?p=1659">here</a></b></span></span></div>
ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com0tag:blogger.com,1999:blog-6512370552480437182.post-724982601034749482013-05-04T23:17:00.000+10:002013-05-04T23:17:18.933+10:00Other logs from the Fire: Tollywood<div dir="ltr" style="text-align: left;" trbidi="on">
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<div class="Body">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Continuing
the journey through the Woods of sub-continental cinema, tonight’s stop is a
place called, even less convincingly than Lollywood, (wait for
it)...Tollywood. <o:p></o:p></span></span></div>
<div class="Body">
<br /></div>
<div class="Body">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Where
the hell is Tolllywood you might ask? <o:p></o:p></span></span></div>
<div class="Body">
<br /></div>
<div class="Body">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Read full post and goodies <b><a href="http://www.harmoniummusic.com.au/?p=1653">here</a></b></span></div>
</div>
ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com1tag:blogger.com,1999:blog-6512370552480437182.post-86795381359608383262013-05-03T13:14:00.001+10:002013-05-03T13:14:20.155+10:00Tarnished Angel RIP: George Jones<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">I’ve been so wrapped up in life’s ‘important things’ this
past week I’ve not seen the news or read the paper. So imagine the profound
sadness I felt when I saw an old headline from a week ago…<b>George Jones</b>, King of
the Honky Tonk, Dies at 81.<o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO4xLCxVsJ3rPsW3DiA_7yxZBgpUfjKXlWQjyaRz7Czi4SySi40M2LLZUUFUX2QsiMsnNwgcl5_RJlWnYL9Gv712omjGd3dpJPjXDa4yUQ_St1w0G4kDwqE3UxPSBOsBbW9pOpRkgh3QI/s1600/images-1.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO4xLCxVsJ3rPsW3DiA_7yxZBgpUfjKXlWQjyaRz7Czi4SySi40M2LLZUUFUX2QsiMsnNwgcl5_RJlWnYL9Gv712omjGd3dpJPjXDa4yUQ_St1w0G4kDwqE3UxPSBOsBbW9pOpRkgh3QI/s1600/images-1.jpeg" /></a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">I am in no way able to put into words the influence this
giant of the 20<sup>th</sup> century has had on everyone from <b>Merle Haggard</b> to
<b>Elvis Costello</b> and <b>Keith Richards</b>.
Indeed, here is the <b>Rolling Stones</b>' living fossil’s statement issued
last Friday.<o:p></o:p></span></div>
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<span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><i><span lang="EN-US">George Jones has left us.
We have lost one of the most individual singers of all time. I cannot express
the emptiness I feel.</span></i><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><i><span lang="EN-US">George was as country as
it can get, but he was beyond any bag you want to put him in. He was pure
American music without ever waving a flag – you can hear a million imitations
on the radio every day – but there was, and ever will be, only one George
Jones.</span></i><span lang="EN-US"><o:p></o:p></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijDlVOiGBe-L5TB-bM8RLI_eaF9ed72HlcR7Qew5SZeLd7QacIS578zitAgE36jy1y-ZhmyVuBoPr6DEJ8b_mE-ep8o2PC0aiqAVB-tWpULu_gAXgRc-ddZWkWN9_fqt3B8TEhB4C5Oms/s1600/images-2.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="color: orange;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijDlVOiGBe-L5TB-bM8RLI_eaF9ed72HlcR7Qew5SZeLd7QacIS578zitAgE36jy1y-ZhmyVuBoPr6DEJ8b_mE-ep8o2PC0aiqAVB-tWpULu_gAXgRc-ddZWkWN9_fqt3B8TEhB4C5Oms/s1600/images-2.jpeg" /></span></a></div>
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<span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><i><span lang="EN-US"><br /></span></i></span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><i><span lang="EN-US">He possessed the most
touching voice, the most expressive ways of projecting that beautiful
instrument of anyone I can call to mind. You heard his heart in every note he
sang. Sinatra called him the second best singer ever. (The number one obviously
being Frank!). I would contest that.</span></i><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i><span lang="EN-US"><span style="color: orange;">I truly loved 'the
possum.' He was a crazy as me, and just as free… and, oh boy, could he hang.</span></span></i><span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">For a full obit on the man they called the
<b>Frank Sinatra</b> of country music, click <a href="http://www.guardian.co.uk/music/2013/apr/26/george-jones">here</a>.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">In a rush I’ve put together a mixtape of some
of my favorite <b>George Jones</b> gems.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Rest in bloody peace, George! You’ve touched us all!<o:p></o:p></span></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidC0hriHOZAZ0tjhh7OxNKFJrAo9MZEKiRpeDqPdRQutcx2zKuAUvplatxqEc1FksgtogrGbhDeBQ1CIf7xp6wLSoNMafaug8kOjdJ1Ntm3RXt7ixF7sy23xNTFuuQt4Ar96-v2WbnKAE/s1600/Tarnished+Angel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidC0hriHOZAZ0tjhh7OxNKFJrAo9MZEKiRpeDqPdRQutcx2zKuAUvplatxqEc1FksgtogrGbhDeBQ1CIf7xp6wLSoNMafaug8kOjdJ1Ntm3RXt7ixF7sy23xNTFuuQt4Ar96-v2WbnKAE/s320/Tarnished+Angel.jpg" width="320" /></a></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing:<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">01 He Stopped Loving Her Today<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">02 You And Me And Time (With Georgette Jones)<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">03 Ain't Your Memory Got No Pride At All<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">04 If Drinkin' Don't Kill Me (Her Memory Will)<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">05 Big Fool Of The Year<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">06 Cold Cold Heart<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">07 Relief Is Just A Swallow Away<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">09 All Fall Down (feat. George Jones)<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">10 I Always Get It Right With You (With Shelby
Lynne)<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">11 The Race Is On<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">16 Once A Day<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">17 Why Baby Why<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">18 Developing My Pictures<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">19 In The Garden<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">20 Amazing Grace<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">21 She Knows What She's Crying About<o:p></o:p></span></span></div>
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<b><span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;"><a href="http://www.adrive.com/public/9PEEyn/030502013%20GJ.zip">here</a></span><span style="font-size: large;"><o:p></o:p></span></span></span></b></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com2tag:blogger.com,1999:blog-6512370552480437182.post-43874774462234525102013-04-30T23:24:00.001+10:002013-05-03T09:21:08.099+10:00Other Logs from the Fire: Lollywood (link restored)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Although I’m guilty of the crime as much as anyone, I really don’t like referring to the Mumbai-based Indian cinema industry as Bollywood. It rings false, as if it somehow were not serious, frivolous and needs to be associated (linguistically) with Hollywood to be legitimate. But most of all, it is the narrowing of the frame of what defines an Indian film that makes me most uncomfortable. India is full of regional cinema with some of the world’s most acclaimed directors working in non-musical based cinema. (</span><span style="font-family: Arial, Helvetica, sans-serif;"><b><a href="http://www.harmoniummusic.com.au/?p=1616">full post and goodies)</a></b></span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com2tag:blogger.com,1999:blog-6512370552480437182.post-52439463111258684052013-04-28T06:48:00.001+10:002013-04-28T06:48:32.453+10:00The Almost Superstars: Pradeep<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif;">Kavi Pradeep</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><strong style="background-color: white; border: 0px; color: #373737; line-height: 24px; margin: 0px; outline: 0px; padding: 0px; text-align: -webkit-auto; vertical-align: baseline;">Ramchandra Narayanji Dwivedi,<em style="border: 0px; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </em></strong><span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;">was born in a small town near the central Indian, and very holy and ancient city of Ujjain. Ramchandra developed a fascination with Hindi poetry at a young age, which he studied at university and later taught in Lucknow. He was a notorious popular participant in public poetry readings/recitals known as </span><em style="background-color: white; border: 0px; color: #373737; line-height: 24px; margin: 0px; outline: 0px; padding: 0px; text-align: -webkit-auto; vertical-align: baseline;">kavi sammelans</em><span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;">and by the early 1940s was already well regarded.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;">Entire post and goodies <b><a href="http://www.harmoniummusic.com.au/?p=1600">here</a>.</b></span></span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com0tag:blogger.com,1999:blog-6512370552480437182.post-7442795555595445722013-04-26T13:32:00.001+10:002013-04-26T13:32:41.494+10:00Blue Birthdays: Ella Fitzgerald and Albert King<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif;">Ella and Albert</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A couple of birthdays today.<o:p></o:p></span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Ella Fitzgerald and
Albert King. <o:p></o:p></span></b></div>
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<br /></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Happy Birthday to you!!!<o:p></o:p></span></div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGaX774TjjxG5gyJl772NmDFEk50XMHFIdHrmgeaYYLFe0uVH20_W5ErQvwDDI3mXINPEhhIIhtTvRfWqXIylSZCV6zeDfeA37rs7WrLR2UeUAsj3ZKN823poDRBboGwr125zi4bCA6UU/s1600/Unknown-4.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGaX774TjjxG5gyJl772NmDFEk50XMHFIdHrmgeaYYLFe0uVH20_W5ErQvwDDI3mXINPEhhIIhtTvRfWqXIylSZCV6zeDfeA37rs7WrLR2UeUAsj3ZKN823poDRBboGwr125zi4bCA6UU/s1600/Unknown-4.jpeg" /></a></div>
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<o:p><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></o:p></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing: (<b>Ella
Fitzgerald</b>)<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">01 Jail House Blues<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">02 In The Evening (When The Sun Goes Down)<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">03 See, See Rider<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">04 You Don't Know My Mind<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">05 Trouble In Mind<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">06 How Long, How Long Blues<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">07 Cherry Red<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">08 Down Hearted Blues<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">09 St. Louis Blues<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">10 Hear Me Talking To Ya<o:p></o:p></span></div>
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<br /></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;"><a href="http://www.adrive.com/public/CHavCE/26042013%20EF.zip">here</a></span><span style="font-size: large;"><o:p></o:p></span></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDFjt1uacNUgVJIbmmna6__gwLVkEXkUydjsGdzMy0g7SnijvDPSffrH6J1Z1BtMGHuYxFDt-kzvmGr0WV8SRA3YslHJmBBh0VOHo-pynRNdCuU62S9KZh9kBLMnCZ0e8sgP7MbyFgRYI/s1600/Blues+At+Sunrise.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDFjt1uacNUgVJIbmmna6__gwLVkEXkUydjsGdzMy0g7SnijvDPSffrH6J1Z1BtMGHuYxFDt-kzvmGr0WV8SRA3YslHJmBBh0VOHo-pynRNdCuU62S9KZh9kBLMnCZ0e8sgP7MbyFgRYI/s320/Blues+At+Sunrise.png" width="320" /></a></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing: (<b>Albert
King</b>)<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">01 Don't Burn Down The Bridge ('Cause You Might Wanna Come
Back Across)<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">02 I Believe To My Soul<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">03 For The Love Of A Woman<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">04 Blues At Sunrise<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">05 I'll Play The Blues For You<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">06 Little Brother (Make A Way)<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">07 Roadhouse Blues<o:p></o:p></span></div>
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<br /></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://www.adrive.com/public/UubMnr/26042013%20AK.zip">here</a></span><o:p></o:p></b></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com0tag:blogger.com,1999:blog-6512370552480437182.post-91948314097938116512013-04-25T22:19:00.002+10:002013-04-25T22:19:45.390+10:00The Almost Superstars: Geeta Dutt<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLSQX4CUI7VALa09AmEMkILy2A6kWQne5FpCMoUz-poMDh79KFu6-fADYZv7DTuTKuLSSK2bo_i98Qzby99tKWGTSzxhaw-ODEPgnFX6VfCI5iXugQ9h6BmBc_Dy2k1Mb5dMIMZQF-twc/s1600/blue+geeta.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLSQX4CUI7VALa09AmEMkILy2A6kWQne5FpCMoUz-poMDh79KFu6-fADYZv7DTuTKuLSSK2bo_i98Qzby99tKWGTSzxhaw-ODEPgnFX6VfCI5iXugQ9h6BmBc_Dy2k1Mb5dMIMZQF-twc/s320/blue+geeta.jpg" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><strong style="background-color: white; border: 0px; color: #373737; line-height: 24px; margin: 0px; outline: 0px; padding: 0px; text-align: -webkit-auto; vertical-align: baseline;">Geeta (Roy) Dutt<em style="border: 0px; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </em> </strong><span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;">was for a while in the late 1940’s one of the most sought after female voices in Indian cinema. She, a Bengali, and her contemporary and peer, the Maharashtrian, </span><strong style="background-color: white; border: 0px; color: #373737; line-height: 24px; margin: 0px; outline: 0px; padding: 0px; text-align: -webkit-auto; vertical-align: baseline;">Lata Mangeshkar,</strong><span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;"> were breathing down the neck of the grand lady of film song </span><strong style="background-color: white; border: 0px; color: #373737; line-height: 24px; margin: 0px; outline: 0px; padding: 0px; text-align: -webkit-auto; vertical-align: baseline;">Shamshed Begum,</strong><span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;"> who had held the top spot for most of the 40’s. </span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;"><br /></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span style="background-color: white; color: #373737; line-height: 24px; text-align: -webkit-auto;">The whole story and goodies <b><a href="http://www.harmoniummusic.com.au/?p=1592">here</a></b></span></span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com4tag:blogger.com,1999:blog-6512370552480437182.post-46853920690008896392013-04-24T20:50:00.001+10:002013-04-24T20:50:14.985+10:00The Almost Superstars: Mahendra Kapoor<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFGlwOaiKycYql6KPBGcuOH-yytxsc-gxu5L1gmQnFCAUEnNE5N6NO5R-pmE_x2a2JZyW4XH1BjxWMnXkI5j0HDClXQy7e7qHh7ypqj865a_F8mF6XfcpPQP_X9-LXnYeQxuRnIw_BX_c/s1600/Mahendra+Kapoor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFGlwOaiKycYql6KPBGcuOH-yytxsc-gxu5L1gmQnFCAUEnNE5N6NO5R-pmE_x2a2JZyW4XH1BjxWMnXkI5j0HDClXQy7e7qHh7ypqj865a_F8mF6XfcpPQP_X9-LXnYeQxuRnIw_BX_c/s320/Mahendra+Kapoor.jpg" width="320" /></a></div>
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<div style="background-color: white; border: 0px; color: #373737; line-height: 24px; margin-bottom: 1.625em; outline: 0px; padding: 0px; text-align: -webkit-auto; vertical-align: baseline;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">So dominant have the voices of <strong style="border: 0px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Kishore Kumar, Mukesh</strong> and <strong style="border: 0px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Mohammad Rafi</strong> been in Bollywood playback singing that you could be forgiven for believing that these three recorded every film song recorded in the 60’s, 70’s and 80’s. But in fact, the vocal field is much more diverse, including such names as <strong style="border: 0px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Manna Dey, Hemant Kumar, Pradip, Talat Mehmood</strong> and <strong style="border: 0px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Bhupinder</strong>. Sadly, the conservative risk-averse mentality of most composers, producers and directors meant that these voices were never given the exposure they deserved.</span></div>
<div style="background-color: white; border: 0px; color: #373737; line-height: 24px; margin-bottom: 1.625em; outline: 0px; padding: 0px; text-align: -webkit-auto; vertical-align: baseline;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><strong style="border: 0px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Mahendra Kapoor</strong>, the focus of tonight’s <a href="http://www.harmoniummusic.com.au/?p=1573">post</a>, is one of those underappreciated voices of Indian cinema.</span></div>
<div style="background-color: white; border: 0px; color: #373737; line-height: 24px; margin-bottom: 1.625em; outline: 0px; padding: 0px; text-align: -webkit-auto; vertical-align: baseline;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">To get the whole post and goodies click <b><a href="http://www.harmoniummusic.com.au/?p=1573">here</a></b></span></div>
</div>
ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com1tag:blogger.com,1999:blog-6512370552480437182.post-43896244319117297672013-04-22T15:53:00.002+10:002013-04-22T15:54:43.125+10:00Change in the Weather: Washerman's Dog and Harmonium Music<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjOo0Uz1iduRi3_0wCm1v7YNEazGsiGwJdbnTlZNsllASWZuwYGOckfqbfRxkEZuhuF9LrsO_PXnRN_GrcywBWDcQRn1FcRnQy6BhsEp_aGg3OGnffP-rRm_LfdPP_O_lmWySSUGH99VU/s1600/Unknown-1.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjOo0Uz1iduRi3_0wCm1v7YNEazGsiGwJdbnTlZNsllASWZuwYGOckfqbfRxkEZuhuF9LrsO_PXnRN_GrcywBWDcQRn1FcRnQy6BhsEp_aGg3OGnffP-rRm_LfdPP_O_lmWySSUGH99VU/s1600/Unknown-1.jpeg" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">As most of you are aware, one of my great passions is the music and musical culture of South Asia. That part of the world that stretches from Afghanistan in the West to Bangladesh in the East, and from Bhutan and Nepal in the Himalayas to the Maldives and Sri Lanka in the watery expanses of the Indian Ocean.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">About a year ago I set up a separate website cum blog dedicated to music from that part of the world called <span style="color: purple; font-weight: bold;"><a href="http://www.harmoniummusic.com.au/">Harmonium Music</a></span>. For a number of reasons, the biggest being, I was not sure of what I intended to do with it, <span style="color: purple; font-weight: bold;">Harmonium </span>has languished on the vine. I have thought of folding up this blog and concentrating only on <span style="color: purple;"><b>Harmonium</b></span> but my heart wouldn't allow it. I love South Asian music, true, but I also love African, American, Brazilian and Australian music too. I didn't want to betray one blog in order to keep the other alive. So I have put most effort into <b>Washerman's Dog </b>serving up an eclectic mix of stuff, with lots of South Asian tunes thrown in.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Well, at long last I have made the decision to keep both blogs alive but by making a change to both of them. This blog will hence forth focus on music from all over the world EXCEPT South Asia. In other words, if you like the Bollywood or Indian folk or Pakistani ghazals I've posted about here, you're going to have to click over to <b><a href="http://www.harmoniummusic.com.au/">Harmonium</a>. </b>But if that was not the main attraction for you then you don't need to do anything new or challenging. Just keep visiting as often as you like and leave your comments and suggestions, which I'll do my best to fulfill.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">From now on all music related to South Asia (historic, folk, classical, contemporary) will be available on <span style="color: purple; font-weight: bold;"><a href="http://www.harmoniummusic.com.au/">Harmonium</a>. </span>I'll keep cross posting for a few weeks but then you'll have to come over to <b><span style="color: purple;"><a href="http://www.harmoniummusic.com.au/">Harmonium </a></span></b>to keep track of what I'm posting from South Asia. For those of you who visited <span style="color: purple; font-weight: bold;">Harmonium </span>from time to time you'd remember that there was a 'shop' included on the site. Well, that no longer exists. The site is completely about the music with lots of informative content but nothing for sale. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">So, hopefully this change will be a win win for everyone, as they say in business circles. Appreciate any comments or suggestions!</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Thanks.</span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com4tag:blogger.com,1999:blog-6512370552480437182.post-79427976846769341782013-04-20T15:22:00.002+10:002013-04-20T15:22:17.924+10:00Record Store Day 2013: Little Richard<div dir="ltr" style="text-align: left;" trbidi="on">
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Today is 20 April. Famous world-wide as Record Store Day. This is the day to ignore iTunes and every other online record store and trundle, pedal, walk, run, race, stumble, hop, skip, gambol, weave or dance your way down to your local INDEPENDENT record store. Go through the LPs, CDs, DVDs, T-shirts etc and buy something that catches your fancy.</div>
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I'll be doing that myself. I've got my eyes on a few old LPs in local favorite shops and can't wait to get round and hand over my money. Incidentally, I think this Record Store Day thing is really catching on because my favorite shops are thriving, indeed bursting at the seams with all sorts of vinyl, weird CDs and stuff. Everytime I go in there is more and more to browse through.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY4gffGpq41XlRSPZcjo2jaqp7u15MsSP-tMKLeuF02z95A4kKvlLahDzLBsUP6QhOdX3StT7nPcN6bA9BFoszf0ARYZA9slfkrGPEKMeUvweLGG9Jc3q3KWN0Wjub9mk3UYyfzyHDHg4/s1600/images.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY4gffGpq41XlRSPZcjo2jaqp7u15MsSP-tMKLeuF02z95A4kKvlLahDzLBsUP6QhOdX3StT7nPcN6bA9BFoszf0ARYZA9slfkrGPEKMeUvweLGG9Jc3q3KWN0Wjub9mk3UYyfzyHDHg4/s1600/images.jpeg" /></a></div>
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I picked up this great early rock 'n roll record a couple RSD's ago. A joyous, no nonsense shot of classic American music from non other than the incredible <b>Little Richard. </b>I bought it at <a href="http://www.qualityrecords.com.au/Welcome.html">Quality Records</a> on Glenferrie Rd., Armadale, which has a great selection of new and old (especially jazz) vinyl not to mention CDs, books and other music related. The staff are very knowledgeable and always ultra friendly. A great place to pass some idle moments between stress and strain of daily life.</div>
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Happy Shopping!</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUj-JlxAFIZ2MKc_FZomh5qVKarfe_IASEK35qzymwOJb3NBmJCvbnfGj47vYiWzgLIS5I9lE8NtrSy9nUVzPmB6qlySdp9K96ZY213Nx-qOpZtPOQT6J5CzFUUpCnmmWuzbUKTyK1KtQ/s1600/Little+Richard+front+2598.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUj-JlxAFIZ2MKc_FZomh5qVKarfe_IASEK35qzymwOJb3NBmJCvbnfGj47vYiWzgLIS5I9lE8NtrSy9nUVzPmB6qlySdp9K96ZY213Nx-qOpZtPOQT6J5CzFUUpCnmmWuzbUKTyK1KtQ/s320/Little+Richard+front+2598.jpg" width="320" /></a></div>
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Track Listing:</div>
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01 Long Tall Sally<o:p></o:p></div>
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03 Good Golly Miss Molly<o:p></o:p></div>
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04 She's Got It<o:p></o:p></div>
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05 Jenny Jenny<o:p></o:p></div>
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06 Miss Ann<o:p></o:p></div>
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<b><a href="http://www.adrive.com/public/Ky2mrs/20042013%20LR.zip">here</a></b></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com0tag:blogger.com,1999:blog-6512370552480437182.post-90374296181403586712013-04-19T21:38:00.000+10:002013-04-19T21:38:11.131+10:00Tuareg Trending: Tinariwen<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">I’ve had this album since it came out a few years back. But
hesitated to really listen to it because something about a <b>Tinariwen</b><i> </i>record with
lots of American and European ‘guest stars’ did not appeal. So I ignored it, preferring the older and
earlier efforts by the Tuareg collective.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Well, what a mistake. I can listen to nothing but this
record these days. This is album Nr. 5
for the group and for my money their acme. It wallows in laid back rhythms,
tightly tweaked guitar riffs and spare, world weary vocalisations. Here you will find the lost chord of a sleepy
Mississippi bluesman sipping flat 3.2 beer near the end of a Sunday evening
set. Singing almost to and only for himself.
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<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">And as for those American guests, well like well behaved
visitors, they speak only when spoken too.
They actually add some nice color to the desert sound, especially the
contributors from <b>the Dirty Dozen Brass
Band</b>.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Here’s Pitchfork’s review.<o:p></o:p></span></div>
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<span lang="EN-US"><span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">In southeastern Algeria, there is a vast
plateau set aside as a national park called Tassili N'Ajjer. It's close to the
border with Libya, and years ago, in the 1980s and early 90s, it was a place of
relatively safe passage for Kel Tamashek fighters moving between the refugee
camps in Libya and the battlefront in northern Mali. To look at it in satellite
images, you might think you were looking at he surface of some distant moon,
long ago scarred by geologic activity but now barren and strangely beautiful.
It wasn't always this way. Thousands of ancient cave and rock paintings dating
from 8,000 to around 1,700 years ago depict a place of plenty that slowly dried
to become the modern desert. There are lost religions and civilizations out
there.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">The Tassili N'Ajjer covers some 45,000
square miles. Near the southern rim of the plateau is a town called Djanet, and
it's out in the rocky desert near this town that Tinariwen chose to record its
fifth album. The group would have preferred to record near its homebase, Tessalit,
in northern Mali, but the security situation was too precarious. The re-flaring
of a conflict the group hoped was put to bed clouds some of the album they
made-- the first couplet on the album, sung in weary Tamashek by Ibrahim Ag
Alhabib, translates to, "What have you got to say, my friends, about this
painful time we're living through?" It's not only about the new conflict,
though. From there, the song calls out to people who have given up the nomadic
life of the desert, lamenting that they've left but seeming to understand why
they have.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span style="color: orange;">These complex emotions run through the
album, and the predominant feeling that comes out of them is longing, for home,
for peace, for old friends, for a way of life whose place in the modern world
is uncertain. <span style="text-decoration: none;">Tinariwen</span> have mostly put
aside their electric guitars for this album and returned to the acoustics they
first played together, backing the rhythmic playing with small hand drums and
clapping. They've invited in a few friends as well. <span style="text-decoration: none;">Nels Cline</span> contributes a
beautiful wash of ambient guitar to opener "Imidiwan ma Tennam", two
members of the Dirty Dozen Brass Band add rough, sonorous texture to "Ya
Messinagh", and <span style="text-decoration: none;">TV on the Radio</span>'s
Kyp Malone and Tunde Adebimpe, who traveled out to the desert recording site,
are on hand on five songs, adding subtle backing harmonies and even a bit of
lead vocal on one song.</span><a href="http://www.blogger.com/goog_530782935" style="color: #1a1a1a;"><o:p></o:p></a></span></span></div>
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<span lang="EN-US" style="color: #1a1a1a; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia;"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: xx-small;">(http://pitchfork.com/reviews/albums/15767-tassili/)</span><span style="font-size: large;"><o:p></o:p></span></span></span></div>
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<span lang="EN-US" style="color: #1a1a1a; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">With Mali making the evening news of
late (for all the wrong reasons) it is a good time to remember that those
ancient people are among the most amazing music makers on the planet.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="color: #1a1a1a; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></span></div>
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<span lang="EN-US" style="color: #1a1a1a; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">I hope you enjoy this the <b>Washerman Dog's</b> 501st post!</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkwCpo9ABA5ds5qeSguCTTvW9pS3FUtCUUQT_574kfJSE_-E8K8pETmK4sbvlA8qmNMEz14nOAIUtl4MB-kraSLfJJRqo6uuDImDm0nougoD1f9X1ve54F3CnU3MnAeOyXjEskie8CqoQ/s1600/Tassili.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkwCpo9ABA5ds5qeSguCTTvW9pS3FUtCUUQT_574kfJSE_-E8K8pETmK4sbvlA8qmNMEz14nOAIUtl4MB-kraSLfJJRqo6uuDImDm0nougoD1f9X1ve54F3CnU3MnAeOyXjEskie8CqoQ/s320/Tassili.jpg" width="320" /></a></span></div>
<br />
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<span lang="EN-US" style="color: #1a1a1a; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing:<o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>01 Imidiwan Ma Tennam (feat. Nels Cline)<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>02 Asuf D Alwa<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>03 Tenere Taqqim Tossam (feat. Tunde Adebimpe & Kyp
Malone)<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>04 Ya Messinagh (feat. The Dirty Dozen Brass Band)<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>05 Walla Illa<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>06 Tameyawt<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>07 Imidiwan Win Sahara<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>08 Tamiditin Tan Ufrawan<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>09 Aden Osamnat<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>10 Tenidagh Hegh Djeredjere<o:p></o:p></i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>11 Swegh Attay</i></span><o:p></o:p></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> </span><span lang="EN-US" style="color: #1a1a1a; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia;"><span style="font-family: Arial, Helvetica, sans-serif;">Groove
and mellow down <b><a href="http://www.adrive.com/public/DC6F6h/19042013%20TT.zip">here</a></b>.</span><o:p></o:p></span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com0tag:blogger.com,1999:blog-6512370552480437182.post-63387415045311610532013-04-16T23:00:00.000+10:002013-04-16T23:00:29.169+10:00Suez Canal Social Club: El Tanbura<div dir="ltr" style="text-align: left;" trbidi="on">
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<span lang="EN-US"><span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>El
Tanbura</b> are a collective of veteran Egyptian master musicians, singers,
fishermen and philosophers. For the past seventeen years they've been
custodians of some of Egypt's oldest folk melodies at their home in Port Said,
the Mediterranean gateway to the Suez Canal. <o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<span lang="EN-US"><span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">No
one knows the exact origins of the Simsimiyya. One Egyptian legend tells how
the first instrument was fashioned from the shell of an unfortunate turtle that
had swum too far along the Nile and ended up as dinner for a hungry musician.
Other stories say the Simsimiyya has existed for centuries in the Arabian Gulf,
and her music (the lyre is always referred to as feminine and her players as
lovers) has the ability to calm the waters of the Red Sea. Another folk
tale attributes her origins to a mysterious enchanting Siren who slowly seduces
both the lover and the audience with mesmerising melodies derived from ancient
exorcism rituals.<o:p></o:p></span></span></div>
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<span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR_o4gxwDjlvNwvGz3YffK5_xrzQ0Kv6nF-bWkgW-89tJX9I1N4JWDoBSPMvG75IqxmD-jZTf2EpQF1csCYlkZsALD7sjet3J158G1GDmfZuEdL_M7n7HJP__3-y1xin9SJ_DkeKxzS8E/s1600/5999269_orig.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR_o4gxwDjlvNwvGz3YffK5_xrzQ0Kv6nF-bWkgW-89tJX9I1N4JWDoBSPMvG75IqxmD-jZTf2EpQF1csCYlkZsALD7sjet3J158G1GDmfZuEdL_M7n7HJP__3-y1xin9SJ_DkeKxzS8E/s320/5999269_orig.jpg" width="320" /></a></span></div>
<br />
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<span lang="EN-US"><span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">We
do know that the instrument only arrived in Port Said during the 1930s; much to
the frustration of the local Suhbagiyya (musicians) who had previously enjoyed
the undivided attention of local audiences with Damma songs - a fusion of Sufi
inspired vocal chants and frenzied drumming. It was only after the Suez
Crisis of 1956 that Dama and Simsimiyya musicians embraced both repertoires.
The War drew the former rivaling musicians together as the Simsimiyya provided
a voice for the resistance movement through protest songs; a tradition that
continued in the subsequent War of 1967 and exile of the people of Port Said
during the Israeli occupation of Sinai. In exile, the diaspora communities
would gather and sing the old songs reminding them of home.<o:p></o:p></span></span></div>
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<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<span lang="EN-US"><span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">In
the 1950s <b>Zakaria Ibrahim</b>, <b>El Tanbura's</b> founder, first heard the
Suhbagiyya in Port Said as a young boy. The music he heard as a child haunted
him all of his adult life and, on returning to Port Said in 1980, and seeing
the desperate musical conditions, he spent nine years seeking out the old
masters and building friendships, trying to convince the musicians to perform
once again. And El Tanboura group was born.<o:p></o:p></span></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDax9JOHxgUb48cdFJMR8H2nXTEla83OlVYMLfJQvOn8LReL9zxeoMoaBdLkaiYFnvpMiz6YYau1SK0seu6UhlXwQT_TMHClhsVaY6Xo46fO4Twwm_eWJ8EdaRNZlxXJzliMTTZpL6Cr8/s1600/8099338_orig.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDax9JOHxgUb48cdFJMR8H2nXTEla83OlVYMLfJQvOn8LReL9zxeoMoaBdLkaiYFnvpMiz6YYau1SK0seu6UhlXwQT_TMHClhsVaY6Xo46fO4Twwm_eWJ8EdaRNZlxXJzliMTTZpL6Cr8/s400/8099338_orig.jpg" width="332" /></a></span></div>
<br />
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<span lang="EN-US"><span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">At
first, news of the group's rehearsals drew scorn and ridicule from the
commercial musicians; however the infectious atmosphere of the initial
performances convinced others with an interest in Sufi philosophy and the
pre-War traditions of Port Said to join the floating collective of El Tanbura's
members.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<span lang="EN-US"><span style="color: orange; font-family: Arial, Helvetica, sans-serif; font-size: large;">Over
time, the band grew to include not only folk musicians and percussionists, but
dancers and singers drawn from local fishermen, market traders and builders,
alongside the unlikely addition of master instrumentalists from some of the
State-approved music troupes who were desperate to perform with others who had
a vibrancy of spirit and to play long-forgotten songs from antiquity - praising
something other than the government approved subjects.<o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span style="color: orange;">Band
members dress in an eclectic mix of gallibiyas and Levis with Gucci sunglasses,
fez and Nike caps. Their music is driven by the seductive call of the
Simsimiyya. They perform regularly in Port Said and at Masrah El Damma in
downtown Cairo.</span> </span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: xx-small;">(http://www.el-mastaba.org/el-tanbura.html)</span><span style="font-size: large;"><o:p></o:p></span></span></span></div>
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<o:p><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">This is great music. Sometimes sacred sometimes frolicking always pleasurable. A real Suez Canal Social Club!</span></o:p></div>
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<o:p><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></o:p></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNEGRUONnbfpVxMjB-vDEYrg3kqd_xyI-Uu60O3ia_JqXxlBH9spXCqdc0SvqPXTyYYY-HvpimAZr_L2aTQKS79W1i1h_QHM5lmND6rwBZqafAd_-Kp__y2McA-CtswaJZ07B7O2Rc_qI/s1600/Friends+of+Bamboute_+20th+Anniversary+Edition.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNEGRUONnbfpVxMjB-vDEYrg3kqd_xyI-Uu60O3ia_JqXxlBH9spXCqdc0SvqPXTyYYY-HvpimAZr_L2aTQKS79W1i1h_QHM5lmND6rwBZqafAd_-Kp__y2McA-CtswaJZ07B7O2Rc_qI/s320/Friends+of+Bamboute_+20th+Anniversary+Edition.jpg" width="320" /></a></div>
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<o:p><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></o:p></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing:<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">01 Ghosen el Habib<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">02 Friends of Bamboute<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">03 Noh el Hamam<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">04 Khaly anka al yhom<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">05 Song for the Prophet<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">06 Lally<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">07 Heela Heela<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">08 Afra<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">09 Badr Arid<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">10 El Madad</span><o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<b><a href="http://www.adrive.com/public/YrH7nd/16042013%20elT.zip">here</a></b></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com5tag:blogger.com,1999:blog-6512370552480437182.post-67510913327419761662013-04-15T14:47:00.001+10:002013-04-15T14:47:32.673+10:00Two Kinds of Love: On the Radio<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWsEz2VdqG4KlJIl51xVI-untXv3DV1lv2d3GyOHZk8du9aPd0mcuHVBXtbpvdJw4qkEoH8areObTvipD4aKxTjLQFlh-3Ku5AA2JqDW_UlrHKiZRCqep63nXiXmN4aBhl-rKZMxcX_MU/s1600/red+radio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWsEz2VdqG4KlJIl51xVI-untXv3DV1lv2d3GyOHZk8du9aPd0mcuHVBXtbpvdJw4qkEoH8areObTvipD4aKxTjLQFlh-3Ku5AA2JqDW_UlrHKiZRCqep63nXiXmN4aBhl-rKZMxcX_MU/s1600/red+radio.jpg" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">On Sunday 14th April 2013,<b> the Washerman's Dog </b>was invited to co-host the weekly world music radio show on Melbourne's iconic PBS 106.7 radio station. The <b>Dog</b><i style="font-weight: bold;"> </i>selected the playlist and came up with the show's theme which was Love: Divine and Human.</span></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">For those who want to here the broadcast click <a href="http://www.pbsfm.org.au/node/25225">here</a>.</span></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">For those who prefer to have the music without the barking of the <b>Dog</b> you know where to go:</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> Track Listing: (Human Love) </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">01 Love, Love, Love [Shaukat Ali]</span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com2tag:blogger.com,1999:blog-6512370552480437182.post-70882816614076720602013-04-12T00:34:00.000+10:002013-04-12T00:34:19.277+10:00Ghost of India Hollow: Hindugrass<div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">The experimentations of jazz musicians with Indian classical
(Hindustani and Carnatic) music is a well established chapter of contemporary
music. Indian garage bands began making
rock ‘n roll in the mid-60’s; today the rock, hip hop and electronica scene is
alive, innovative and well across India.
Indian musicians have appropriated all sorts of Western instruments from
the saxophone and violin to the mandolin and guitar to make beautiful and
authentic South Asian music. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">From time to time I have let my mind run wild and tried to
imagine what a fusion of Hindustani music and bluegrass would sound like. I can
hear the horrified gasps coming from both Varanasi and West Virginia. How dare
you! Perish the thought! Are you
mad? <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">And while I acknowledge the cultural dirt in which bluegrass
thrives is very different from the Ganges mud and Himalayan snow that has
nurtured Hindustani classical music for millennia, I could not help but
thinking that there was some common ground that deserved to be explored.<o:p></o:p></span></div>
<div class="MsoNormal">
<o:p><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0mqxiO6sVWbEHzHvdKXm0XmQhJ8iS7SUeAwQJw_BRkF9dI9bGkrcrZs_FtW_hacDPuTwPTZKDy5ktQ1edq8wWGkWpGCH7fqvYZ-umcHk7WKHUamS0eGO4k6cAEHxYUjevBL6RyrcbdZw/s1600/images.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0mqxiO6sVWbEHzHvdKXm0XmQhJ8iS7SUeAwQJw_BRkF9dI9bGkrcrZs_FtW_hacDPuTwPTZKDy5ktQ1edq8wWGkWpGCH7fqvYZ-umcHk7WKHUamS0eGO4k6cAEHxYUjevBL6RyrcbdZw/s1600/images.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hindugrass</td></tr>
</tbody></table>
</span></o:p></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">So imagine the joy I felt when I stumbled upon a band called
<b>Hindugrass</b>! An outfit of scarily
talented and deeply credentialed American multi-instrumentalists based around
Chapel Hill/Durham, North Carolina <b>Hindugrass’</b>
music comes out of Appalachian bluegrass country. But it is most definitely not something <b>Bill Monroe</b> or the <b>Stanley Brothers</b> would recognise as the music they
popularised. Various members of this
unusual band have studied <i>tabla, sitar,
sarod </i>and <i>khyal</i> singing in India
and (amazingly) like me have dared to dream about the fertile soil of both
countries. Unlike me (obviously) they
have done something about it, namely make a self-titled album of
Indo-Appalachian fusion!<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">I must say that just as this is not bluegrass it is not
Hindustani music. It is genuinely
something new and different and yet the twin spirits of ancient India and
not-so-ancient Appalachia are surely present. Like some sort of ghost haunting
the mountain hollows, <b>Hindugrass’ </b>music
is ethereal and hard to pin down. Yet
unlike that ghost, entirely pleasure inducing.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Fools gold this is not.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8MHTs_u5hz_oRx7DaEngeMn6qfl4zmTfxqd-7klD6GLpoN8G8W4BiyIlFsJi1YRoC_CRGqNjP1AHrGYfdaZf8KeL8rRj6JivcteIAWGmaYtnbc3klRrgXa6ftJCnjHy7zVl1DJt4BKZM/s1600/Hindugrass.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8MHTs_u5hz_oRx7DaEngeMn6qfl4zmTfxqd-7klD6GLpoN8G8W4BiyIlFsJi1YRoC_CRGqNjP1AHrGYfdaZf8KeL8rRj6JivcteIAWGmaYtnbc3klRrgXa6ftJCnjHy7zVl1DJt4BKZM/s320/Hindugrass.jpg" width="320" /></a></span></div>
<br />
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> Track
Listing:<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> 01 Drive<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">02 Mi Ne Mie Kplo Fa Do<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">03 Bhairavi<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">04 Appalachistan<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">05 Headwaters<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">06 Yamuna<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">07 Velavali</span><o:p></o:p></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<br /></div>
<div class="MsoNormal">
<b><a href="http://www.adrive.com/public/PsQCv4/11042013%20HG.zip">here</a><o:p></o:p></b></div>
<div class="MsoNormal">
<br /></div>
<!--EndFragment--></div>
ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com2tag:blogger.com,1999:blog-6512370552480437182.post-72453531244253298642013-04-10T21:44:00.001+10:002013-04-10T21:44:23.797+10:00Nazrul Geet: Yakub Ali Khan<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKeYlQccu4G35yVbbt6JaePsDdzMd5lsXQ0RvTlAzgiL7x_PMmytu7Jt7fxmae_vc1jBCzNhF7IniKZbPPcfBM-e4zEkwjwcIJwe7rbpugWjk5YXPuh36-5OeHFTqsdpNCT3KxLjhcfYE/s1600/Unknown-1.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKeYlQccu4G35yVbbt6JaePsDdzMd5lsXQ0RvTlAzgiL7x_PMmytu7Jt7fxmae_vc1jBCzNhF7IniKZbPPcfBM-e4zEkwjwcIJwe7rbpugWjk5YXPuh36-5OeHFTqsdpNCT3KxLjhcfYE/s1600/Unknown-1.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Kazi Nazarul Islam<br /></span><br />
<div style="text-align: left;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;">I’ve been away and fully occupied for the last few days.
Just returned this evening and am feeling quite tired. Before leaving, I was beginning to get into
the singing of young Bangladeshi singer, <b>Yakub
Ali Khan.</b> Specialising in singing <i>Nazrulgeet</i>
(poetry of <b><a href="http://washermansdog-ajnabi.blogspot.com.au/search/label/Kazi%20Nazrul%20Islam">Nazrul Islam</a></b>) <b>Khan</b> has risen rapidly in the ranks of
Bengali singers. He has a sweet voice which helps calm the jaggedy nerves and
weary body.<o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;">Breathe deep and let the music flow over you.<o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS2Q7t7aykkXutLKM_jICi6u3SmH45hHXEENutpPIHGdYHu6T8WNOlZF4YPiEHIUX_dsyBZqlDmvjnhBRMc663hEuL38b73NkiKSXlEvejZlWkSzo65FQO4qbdb_WpW5m1l7pvkH9vfmw/s1600/Yaqub+Ali+Khan_0001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS2Q7t7aykkXutLKM_jICi6u3SmH45hHXEENutpPIHGdYHu6T8WNOlZF4YPiEHIUX_dsyBZqlDmvjnhBRMc663hEuL38b73NkiKSXlEvejZlWkSzo65FQO4qbdb_WpW5m1l7pvkH9vfmw/s320/Yaqub+Ali+Khan_0001.jpg" width="320" /></a></span></span></div>
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Listing:<o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;"><i>01 Ogo Boishakhi Jhor<o:p></o:p></i></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;"><i>02 Jamuna Sinane Chole<o:p></o:p></i></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.adrive.com/public/4U9x9U/10042013%20YAK.zip">here</a><o:p></o:p></span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com0tag:blogger.com,1999:blog-6512370552480437182.post-8392881820595132302013-04-06T09:23:00.000+11:002013-04-06T09:23:23.433+11:00Sacred Raga: Shahid Parvez<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQku1cadfz6t_UP9Aa-RPWur1X1czpEIFC-L1m8C8tYQElmX8y3IZrpEfCDtE-2uDxVELO41SFpDN49prprbAa-kC4RK-yHsnw5shjobi84NIoNS2H65Do9BlAq-FVhlmQ0-mW4iE0PMQ/s1600/images.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQku1cadfz6t_UP9Aa-RPWur1X1czpEIFC-L1m8C8tYQElmX8y3IZrpEfCDtE-2uDxVELO41SFpDN49prprbAa-kC4RK-yHsnw5shjobi84NIoNS2H65Do9BlAq-FVhlmQ0-mW4iE0PMQ/s1600/images.jpeg" /></a></div>
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<span style="letter-spacing: 0px;"><span style="font-size: large;"><b>Shahid Parvez</b> is one of contemporary India’s stars of the sitar. With a pedigree that includes <b>Ustad Vilayat Khan, Ustad Hafeez Khan</b> and <b>Ustad Enayat Khan</b>, his playing is creative and imaginative. Like his famous forbear <b>Ustad Vilayat Khan, Shahid sahib </b>prides himself on his purist approach to classical music and the sitar. He has little time for east - west fusion or purely experimental outings, though admits they have their place. Rather, in the old school way, he practices constantly and tries to reveal the true essence of each raga.</span></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">I’ve included an interesting <a href="http://www.kavitachhibber.com/main/main.jsp?id=shahid">interview</a> in which the master opens his heart about the music, and his relationship with his father. Take the time to read it, it is worth it.</span></span></div>
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<span style="font-size: large;"><span style="letter-spacing: 0.0px;"></span><br /></span></div>
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<span style="letter-spacing: 0px;"><i><span style="color: orange; font-size: large;">You started learning vocal music and tabla at a tender age of 3 before switching to sitar at 4 and were touted as a child prodigy by 8. Did you even have a childhood? </span></i></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">I had to do only two things — play sitar and study. I never ever played outside, never had a normal childhood. I would practice from 10 at night till 4 a.m. in the morning, then slept and then would wake up and go to school. But you really cannot achieve much without that kind of hard work. It is not enough to just take lessons and practice. The involvement should be so deep that your music and you become one. Often my mind is full of music even when I am asleep. People draw the best from experiences of pain and difficulty; without experiencing the pain you cannot achieve greatness. My training was tough and my father was very strict, demanding and very impatient. He was an artist and not a teacher. He’d say I don’t care if you don’t have talent. I want you to play like this and I will make you play like this. At times my mother would bring food and she would leave and the food remained and he’d forget and would be so involved in teaching me that after a while, though I was just a child, even I would forget that I was hungry. There are times I have practiced 10-11 hours at a stretch. </span></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">I decided to teach a lot of students and learn patience, and an understanding that not every one is at the same level. Till today my father has never told me what he thinks of my playing or that he is proud of me. One day I asked him you have worked so hard on me and I have worked so hard on myself and even if after so many years, I have not been able to please you enough for you to say even once, “son you played well,” so what do you get out of it? He said once a father and son made idols. What the father created sold for 100 bucks what the son made sold for 200. The father for a long time never ever told the son, that he created a better idol than his father. One day finally the father could not control his pride and said “Son you make idols far better than I do.” Since then not one person even paid 50 rupees for his son’s work. He probably felt it would go to my head and I feel that fame and flattery have to be taken in stride. If an artist can stay humble and focus only on his art, he rises way beyond his talent and his craft. And if it goes to his head, he is a very small man. Whatever I have learnt is so miniscule compared to what I still feel I have to learn that I see nothing to be arrogant about.</span></span></div>
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<span style="letter-spacing: 0px;"><i><span style="font-size: large;"><span style="color: orange;">You are one of the few artists who sing and play both, and have incorporated the “gayaki ang” and the “tantrakari ang” creating a unique style and universal appeal. </span></span></i></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">I think to play an instrument from your soul, you have to learn to sing first, because music is expressed to the maximum through singing. I started with vocal music when I was three and till today I sing in my performances. I feel until you sing it will not transfer to your playing. More than even the technique and other things, you need to sing. You play an instrument with your hands but the sounds really emanate from your heart.</span></span></div>
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<span style="letter-spacing: 0px;"><i><span style="color: orange; font-size: large;">In today’s world of short attention span, what future do you foresee for traditional classical music. You are perhaps a rare artist who can play and still hold people spellbound after hours as a purist, and a lot of the audience is not very knowledgeable technically.</span></i></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">Yes, I’m a purist and I don’t believe in taking short cuts in music. Our music is not just for entertainment purposes only. If the stories are true about how Mian Tansen sang and animals came to hear it’s obvious that great music is a pleasure you enjoy even when you don’t understand it. I have such faith in my music that I am confident it doesn’t need short cuts.</span></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;"><b>Zakir Hussain</b> and <b>Ravi Shankar</b> are so good at what they do that anything they create or play is appreciated and yet deep within my heart I feel that perhaps even they enjoy themselves the most when they play the traditional music they were brought up with. Of course it’s another matter that occasionally we digress or innovate and at times just experiment to see how it feels to blend two styles together. I want to remain a purist even though I don’t mind innovating or experimenting by working with other artists.</span></span></div>
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<span style="font-size: large;"><span style="letter-spacing: 0.0px;">In the early days the audience was a very trained, they were the true connoisseurs and you did not have to explain your music to them, as they knew the technicalities. The number was not very large, but they were the real music lovers. It was tough playing before them because you could not afford to make a mistake. On the other hand it is as tough playing before an audience that knows nothing about Indian classical music. Today there is a mixed audience. The ones who know, the ones who do not know, so it’s hard to please everyone. Fortunately with instrumental classical music, things are a bit easier, where it can touch the heart, even if you don’t know the technicalities. But I’m very encouraged by what I see here. There is great interest and people are learning a classical art form with great enthusiasm and dedication. I have also noticed that between India and here, a regular guy here has a deeper appreciation and understanding of Indian classical music. Here people miss what they have left behind so the appreciation is deeper. <br />
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</span><span style="letter-spacing: 0px;"><i><span style="color: orange;">What do you prefer — playing live or recording spectacular music in the solitude of a recording studio?</span></i></span></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">Live concerts inspire an artist to raise the quality of music simply because of audience response. However the quality of recording is better in a studio. Of course if you want to record peacefully then studios are the havens. I try to make it natural by trying to record at the time of the raga and invite some close friends and music lovers to be a part of it. I still feel some of the live concerts turn out to be so amazing and that even if the recording quality is poor they should still be captured on CD. <br />
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<span style="letter-spacing: 0px;"><i><span style="color: orange; font-size: large;">Have you ever created a spontaneous raga?</span></i></span></div>
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<span style="font-size: large;"><span style="letter-spacing: 0.0px;">I don’t believe in creating ragas. There are so many good ragas now that it is now impossible to create ragas as per our traditional way of creating them, but once I was to play at a concert at 2.30 a.m. it was neither night time nor dawn and I was wondering what do I play. There is no raga, which has been created for the time between the night ushering in the dawn. But there is a night raga Kaushikdhani and a morning raga lalit. I spontaneously blended the two. <br />
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</span><span style="letter-spacing: 0px;"><i><span style="color: orange;">What have been your most memorable concerts? And is there something about Ustad Shahid Parvez that no one knows?</span></i></span></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">It was an honor to perform before my uncle <b>Ustad Vilayat Khan</b>. I played on his 60th birthday. And then once <b>Ravi Shankar</b> came to hear me perform and he heard me with love, and at the age of 11 before <b>Bade Ghulam Ali Khan</b> who gave me Rs. 5 as prize.</span></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">I have never told anyone this before, but I have a son who is 16 and a sitar player, but I decided I will never promote him. He must take all the time to learn, to create his own path and carve a niche for himself by his own talent and hard work. He is not going to get anything on a platter. I have never even mentioned him prior to today or even encouraged him to perform with me on stage. If he even understands a fraction of the hard work involved , the tough discipline true musicians need to follow, he will make me proud. </span></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">Track Listing:</span></span></div>
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<li style="font-family: Arial; margin: 0px 0px 12px; text-align: justify;"><span style="letter-spacing: 0.0px;"><span style="font-size: large;">Raga Shyam Kalyan - Alap</span></span></li>
<li style="font-family: Arial; margin: 0px 0px 12px; text-align: justify;"><span style="letter-spacing: 0.0px;"><span style="font-size: large;">Raga Shyam Kalyan - Gat</span></span></li>
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<span style="letter-spacing: 0.0px;"><b><a href="http://www.adrive.com/public/5FNs8j/05042013%20SP.zip">here</a></b></span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com1tag:blogger.com,1999:blog-6512370552480437182.post-37735734357963424872013-04-01T23:16:00.000+11:002013-04-01T23:16:00.086+11:00Love's Many Splendours: John Hiatt<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: small;">John Hiatt</span><br /><br /><div style="text-align: left;">
<span style="letter-spacing: 0px;"><span style="font-size: large;">Love, in many of its infinite guises, is explored on <i>Bring the Family</i> like on few other contemporary albums. <b>John Hiatt</b>’s last chance masterpiece from 1987 is in many ways the best and most complete exposition of that four lettered word ever put to tape. I know that’s saying a lot but I’ve not yet come across another record where each song is a precise and concise sermon on LOVE.</span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">Starting out with <i>Memphis in the Meantime</i>, (which needs to be played LOUD to appreciate the song’s full joyful impact) <b>Hiatt</b> treats us to the love that can only be found dancing with your sweetheart in a sweaty honky tonk, then shows us love betrayed by cowardice (<i>Lipstick Sunset)</i>, lost love (<i>Alone in the Dark</i>) and the kind of love your lover provides when you’re feeling weak (<i>Have a Little Faith in Me</i>). And which one of us haven’t felt eternal gratitude for our unbelievable luck in finding the love of our soul mate/saviour (T<i>hank You Girl</i>).</span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">And so it goes. It is hard to believe that <b>Hiatt</b>, who in 1987 was a washed up, broken down, dropped-by-his-record-label ex-drunken underperforming musician, when he and some mates (<b>Ry Cooder, Nick Lowe, Jim Keltner</b>) scrounged enough cash together for a half a week’s studio time to put together a final attempt to get the industry’s attention. This does not sound anything like a man out of ideas. Each song is an eloquent extolling of this <i>Thing Called Love</i> every bit as pithy and quite a bit more succinct than <b>Shakespeare’s</b> celebrated sonnets. </span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;"><i>Tip of My Tongue</i> in which he <b>Hiatt</b> regretfully rues the wounded love he’s created ‘with three angry words’ is absolute perfection. Every word is essential as is every world weary note played by <b>Ry Cooder</b>. There are so many great songs on this record. Take <i>Stood Up</i>, which is review of how he sobered up, and ‘stood up.’ </span></span><br />
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<span style="background-color: white; letter-spacing: 0px;"><span style="color: #666666; font-size: large;"><i>I don't know about you</i></span></span></div>
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<span style="background-color: white; letter-spacing: 0px;"><span style="color: #666666; font-size: large;"><i>But there's a lot of things</i></span></span></div>
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<span style="background-color: white; letter-spacing: 0px;"><span style="color: #666666; font-size: large;"><i>I never stood up to</i></span></span></div>
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<span style="background-color: white; letter-spacing: 0px;"><span style="color: #666666; font-size: large;"><i>Even as I turned and walked away</i></span></span></div>
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<span style="background-color: white; letter-spacing: 0px;"><span style="color: #666666; font-size: large;"><i>I guess that's why I'm standing on my own</i></span></span></div>
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<span style="background-color: white; letter-spacing: 0px;"><span style="color: #666666; font-size: large;"><i>two feet today</i></span></span></div>
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">Unlike almost every other love rock ‘n roll love song in history, <i>Stood Up</i> is a giant unabashed song of love to himself. The album wraps up with the fantastic <i>Learning How to Love You</i>. What man has not wanted to sing this song to his wife, girlfriend or lover? </span></span><br />
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<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">From the first kiss in the schoolyard</span></i></span><br />
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">Til the last heart broke in two</span></i></span><br />
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">I didn't know it would be so hard</span></i></span><br />
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">Learning how to love you</span></i></span><br />
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">There was a life that I was living</span></i></span><br />
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">In some cracked rearview</span></i></span><br />
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">Where no future was given</span></i></span><br />
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">To a heart untrue </span></i></span><br />
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<span style="font-size: large;"><span style="letter-spacing: 0.0px;"><i></i></span><br /></span></div>
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">Still I thought that I was so strong</span></i></span><br />
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">That my will could force me through</span></i></span><br />
<span style="letter-spacing: 0.0px;"><i><span style="font-size: large;">I didn't know it would be so long</span></i></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;"><i>Learning how to love you</i> </span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;"><i>Bring the Family </i>is quite simply one of the best American records of the last 30 years. It is fun, full of music of the highest calibre and a genuinely honest, warts and all, mature, vulnerable, irascible telling of love’s eternal story.</span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">Track Listing:</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">01 Memphis in the Meantime</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">02 Alone in the Dark</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">03 Thing Called Love</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">04 Lipstick Sunset</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">05 Have a Little Faith in Me</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">06 Thank You Girl</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">07 Tip of My Tongue </span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">08 Your Dad Did</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">09 Stood Up</span></span><br />
<span style="letter-spacing: 0px;"><span style="font-size: large;">10 Learning How to Love You</span></span><br />
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<span style="letter-spacing: 0.0px;"><a href="http://www.adrive.com/public/qetZDB/01042013%20JHBTF.zip">here</a></span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com4tag:blogger.com,1999:blog-6512370552480437182.post-19710821931168356692013-03-31T22:48:00.001+11:002013-03-31T22:48:22.482+11:00Songs for Her Lover: Afroz Bano<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif;">Gopis (cow herdesses) and Lord Krishna</span></div>
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<span style="letter-spacing: 0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>Thumri, </i>a semi-classical genre of Hindustani music, arose out of the love/erotic <i>Bhakti/sufi </i>poetry that described an intimate direct relationship between Divinity and Individual. In particular, the ultimate subject of the <i>thumri</i> is the devotion and love felt for Lord Krishna.</span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Most <i>thumris</i> are composed and sung in the medieval dialect of Hindi, <i>Braj Bhasa</i>, spoken around Mathura, the northern Indian city associated with Lord Krishna. It was in the area around Mathura that the Krishna legends and tradition especially captured the imagination of devotees. Though <i>thumris </i>have been composed and performed in other regional dialects of Hindi, especially <i>Avadhi </i>and <i>Bhojpuri</i>, centered around the cities of Lucknow and Varanasi, respectively, <i>Braj Bhasa</i> retains its strong hold on the language of this beautiful genre.Even though many listeners would find Braj difficult to follow compared with other dialects. Some scholars have claimed that Braj has the most vowels of any form of Hindi, making it far easier to sing. But probably the real reason for the <i>thumri</i> staying so attached to the language is that it was, by the 17th century, the recognised literary dialect of north India. Though the artistocracy used Persian and later Urdu as the ‘official’ and ‘Court’ language, the lingua franca of most people across that part of India known today as the Cow Belt, was Braj Bhasa. </span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>Thumris</i> are primarily love songs, or intimate songs of devotional love for Krishna told from the perspective of a woman. <i>Ghazal</i>, that other great genre of North Indian verse, by contrast, usually takes the man’s voice and speaks of the pain of separation. This does not mean that men do not sing <i>thumri </i>or women are banned from signing <i>ghazals</i>. Most classical singers (male and female) have a vast repertoire of <i>thumris</i> which they render with as much care as any <i>raga. </i>And where would we be without the <i>ghazals </i>of <b>Farida Khanum </b>or <b>Iqbal Bano</b>? But the fact remains that <i>thumris</i> , many of which are filled with erotic and intimate imagery, are the ultimate vehicle for the expression of feminine love in Hindustani classical and semi-classical music.</span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Though the standard <i>thumri </i> extols the passions that arise within the (female) heart of the Krishna devotee, a subject matter entirely ‘Hindu’, most <i>thumris </i>were written by Muslim musicians. The bulk of the composers remain anonymous and were likely to have been paid court musicians in the courts of large landlords (<i>zamindars</i>) or petty as well as major aristocratic households. And indeed, the most acclaimed performers of the <i>thumri</i> are or have been Muslim: <b>Khansahib Abdul Karim Khan, Barkat Ali Khan, Begum Akhtar, Iqbal Bano. </b>Pakistan, the world’s first confessional state, of course has made demands (overt as well as indirect) on artists to transform the subject matter/lyrics of <i>thumris</i> from Krisha-hymns to reflections on more appropriate Islamic themes. And the lyrics have been de-linked from <i>Braj Bhasa</i> and are usually sung in <i>Punjabi.</i> </span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span style="letter-spacing: 0px;">Tonight, it is my great pleasure to share an absolutely fantastically rendered collection of 5 <i>thumris</i> by the Indian artist <b>Afroz Bano.</b> </span><span style="letter-spacing: 0.0px;"><b>Afroz Bano</b> was initiated by <b>Sadullah Khan</b> of Sikar and subsequently trained with <b>Faiyaz and Niyaz Ahmed Khan</b> of the Kirana <i>gharana</i>. Her wide-ranging repertoire of <i>thumri, dadra</i>, and allied forms includes Rajasthani <i>mand</i> and folk songs. A top-grade artiste of All India Radio, <b>Afroz Bano</b> performs regularly and has several commercial albums to her credit, besides lending playback for commercial films and TV.</span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing:</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">01 Balma Nahin Aaye [Tilak Kamod]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">02 Nadiya Kinare Moro gaon [Mishra Pilu]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">03 Najariya Laagi rahi [Kaushik Dhwani]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">04 Kesariya Balam [Mishra Maand]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">05 Ho Gayi beriya [Mishra Bhairavi]</span></span><br />
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<span style="letter-spacing: 0.0px;"><b><a href="http://www.adrive.com/public/sNpcDg/31032013%20AB.zip">here</a></b></span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com3tag:blogger.com,1999:blog-6512370552480437182.post-38099140581873016352013-03-29T22:45:00.000+11:002013-03-29T22:45:00.550+11:00Byron Bay Blues Festival 2013 Sampler<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRE1u1YP03CEDbEYsvxuh5KrEQO57QKwTLYFP7f9SwAtc1Lwdi_6ZX487TbLGWn_oRZVmwVeCnKbG4kT5vx6LEgXMMDrgErNHJDTYvekdSfN5iedrrPVaeY4Tuu450ns959tbk_ZSQLB0/s1600/images.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="138" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRE1u1YP03CEDbEYsvxuh5KrEQO57QKwTLYFP7f9SwAtc1Lwdi_6ZX487TbLGWn_oRZVmwVeCnKbG4kT5vx6LEgXMMDrgErNHJDTYvekdSfN5iedrrPVaeY4Tuu450ns959tbk_ZSQLB0/s320/images.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Byron Bay, NSW, Australia<br /><br /><div style="text-align: left;">
<span style="letter-spacing: 0px;"><span style="font-size: large;">An Indian American Thai Australian friend spends about her time on the gorgeous NSW coast near Byron Bay. And she has reminded me, and requested me, to commemorate this year’s annual Blues Fest with a<b> Washerman’s Dog</b> sampler. </span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">As usual its an amazing lineup. Hope many of you made it. If not, here is a double slice of some of the biggest names on the list.</span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">Surf’s up!</span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">Track Listing: Vol 1</span></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">01 'Cuz I'm Here [Ruthie Foster]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">02 Even in the Quietest Moments [Supertramp]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">03 Fujiyama Mama [Wanda Jackson]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">04 Lovestruck Baby [Robert Cray]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">05 Jealousy [Bettye LaVette]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">06 The Car Song [The Cat Empire]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">07 Strut [Taj Mahal]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">08 Bongo Man [Jimmy Cliff]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">09 Rattlesnake Preacher [Chris Smither]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">10 Flying [Chris Isaak]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">11 Hearts And Bones [Paul Simon]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">12 Let The Four Winds Blow [Robert Plant]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">13 There's Hope For You [William Elliot Whitmore]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">14 Takin' The Midnight Train [Tony Joe White]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">15 Since I Fell for You [Mavis Staples]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">16 Dear Old Southland [Allen Toussaint]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">17 Wichita Skyline [Shawn Colvin]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">18 Devil Got My Woman [Bonnie Raitt]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">19 El Viento [Manu Chao]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">20 St. Judy's Comet [Paul Simon]</span></span><br />
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<span style="letter-spacing: 0.0px;"><b><span style="font-size: x-small;"><a href="http://www.adrive.com/public/Sdygzc/BBBF2013%20v1.zip">here</a></span></b></span><br />
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<span style="letter-spacing: 0.0px;"><span style="font-size: large;">Track Listing: Vol 2</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">01 Jesus Gonna Be Here [Blind Boys of Alabama]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">02 Flying [Chris Isaak]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">03 Down to Zero [Bettye LaVette]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">04 People Grinnin' In Your Face [Ruthie Foster]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">05 Funky Buttercup [The Bamboos]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">06 Chelsea Hotel No. 2 [Rufus Wainwright]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">07 Rattlesnake Preacher [Chris Smither]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">08 The Train I'm On [Tony Joe White]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">09 Blues On A Holiday [Susan Tedeschi]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">10 Me Llaman Calle [Manu Chao]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">11 Dreamer [Supertramp]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">12 One Four Five [The Cat Empire]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">13 The Harder They Come [Jimmy Cliff]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">14 99 and 1/2 [Mavis Staples]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">15 Slippin' & Slidin' [Wanda Jackson]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">16 Swinging Doors [Wanda Jackson] </span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">17 Senor Blues [Taj Mahal]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">18 American Music [Violent Femmes]</span></span><br />
<span style="letter-spacing: 0.0px;"><span style="font-size: large;">19 Tenderness [Paul Simon]</span></span><br />
<span style="letter-spacing: 0px;"><span style="font-size: large;">20 On Your Way Down (feat. Allen Toussaint) [Trombone Shorty]</span></span><br />
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<span style="letter-spacing: 0.0px;"></span><br /></div>
<div style="font-family: Helvetica; font-size: 12px;">
<span style="letter-spacing: 0.0px;"><b><a href="http://www.adrive.com/public/gkxARK/BBBF2013%20v2.zip">here</a></b></span></div>
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ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com0tag:blogger.com,1999:blog-6512370552480437182.post-37419698680968165702013-03-28T15:33:00.000+11:002013-03-28T15:33:47.471+11:00Easter Time: 22 Gargantuan Gospel Pearlers<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Dear friends, followers, fans, strangers, well wishers,
ladies and gentlemen. I will be away once again for several days so there will
be little activity until late next week.
<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Tomorrow is Good Friday. Easter is upon us again and to help
welcome the Spirit here is a collection of 22 Gargantuan Gospel Pearlers
freshly plucked from the Washerman’s Dog’s
watery depths.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Blessings!<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVZFsLZAmBunUl-dRujbwp81OutJajERMV_-hGVo_UNOG_H5VbKykr3PZ5f-ES7RjnqJnQ6X6dgCu4An_q2lPGKmlqQdgxqvKWLoG-W3cZ-rCDE8_mD60mpAHybkI5OeJgjLTOO1XQqz8/s1600/Make+time+for+the+lord+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVZFsLZAmBunUl-dRujbwp81OutJajERMV_-hGVo_UNOG_H5VbKykr3PZ5f-ES7RjnqJnQ6X6dgCu4An_q2lPGKmlqQdgxqvKWLoG-W3cZ-rCDE8_mD60mpAHybkI5OeJgjLTOO1XQqz8/s320/Make+time+for+the+lord+2.jpg" width="320" /></a></span></div>
<br />
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Track Listing:<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>01 I Don't Know Where We're Headed [Sons of Truth]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>02 Guide Me, O Thou Great Jehova [Kelly Joe Phelps]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>03 All Right Now [Heavenly Gates]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>04 I Want to Ride That Glory Train [The Abyssinian Baptist
Gospel Choir]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>05 Move Along Train [The Staple Singers]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>06 Listen to the Lambs [The Golden Gate Quartet]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>07 Walk to Thee [Rev. Lonnie Farris]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>08 Living For My Jesus [The Dixie Nightingales]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>09 The World Didn't Give It to Me [Shirley Caesar]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>10 Don't You Know The Man? [Chosen Gospel Singers]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>11 Life In Heaven Is Free [Cleo Jackson Randle]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>12 Standing On The Promises [Zion Harmonizers]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>13 I Heard the Voice of Jesus Say [Bishop Bowen and the
Combined Gospel Choirs]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>14 No Love [Famous Singing Aires]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>15 I Shall Not Be Moved [New Orleans Chosen Five]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>16 (There's gonna be a) Showdown [Rance Allen Group] <o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>17 Jesus Is My Air-O-Plane [Mother McCollum]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>18 In My Home Over There [Mahalia Jackson]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>19 Swing Low, Sweet Chariot [B.B. King]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>20 Dear Lord, Look Down Upon Me [Angelic Gospel Singers]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>21 I Used to Wonder [The Highway Q.C's]<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>22 Can't Nobody Do Me Like Jesus [James Cleveland]</i><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><a href="http://www.adrive.com/public/Ycpgx4/28032013%20MtfL.zip">here</a><o:p></o:p></b></div>
<!--EndFragment--><br />
<br /></div>
ajnabi1957http://www.blogger.com/profile/09233755392134647787noreply@blogger.com0