Showing posts with label Carnatic. Show all posts
Showing posts with label Carnatic. Show all posts

Tuesday, October 9, 2012

Saving America: Raga Darbari and Bansuri




Loyal followers of and visitors to the Washerman’s Dog will have seen the video clip of President Obama and Gov. Romney debating who is better placed to integrate the wonders of Hindustani and Carnatic classical music into the culture and economic life of the United States.  Both candidates expressed an admirable depth of understanding as well as sensitivity to some of the finer points of the Indian classical tradition in their responses. But as is to be expected, the Democrat President emphasised that no economic or social recovery could take place without a true understanding of the raga. In particular he held up Raga Darbari Kanada as being a pinnacle of achievement which needed to be more fully appreciated by Wall Street and Main Street alike.  That he promised $17.5 billion for the promotion of the bansuri (Indian flute) in next year’s budget underscored his seriousness.

The Republican Romney opposed this position, placing priority on the complex taals of Indian percussion as the ultimate saviour of American culture. While he was able to impress the moderator (and himself) with the rapid annunciation of several rhythmic patterns his protestations that his familiarity with a variety of Indian drums fell a bit flat.

It was a fascinating debate, indeed, and after considerable reflection I have come down in the Obama/Democrat/raga camp.  And as evidence of the truth of this position I offer tonight a choice selection of the raga played by North and South Indian flute maestros, as well as several renditions of the wonderful Raga Darbari, but vocally and played on the sarangi.

Here’s to a cultural awakening and economic recovery in the USA!

            Track Listing:
Pt. Hari Prasad Chaurasia

01 Raga Ahir Bhairav [Hari Prasad Chaurasia] The greatest living proponent of the bansuri, referred to by President Obama in his response, plays the exalted morning raga Ahir Bhairav, one of his personal favorites.

Pt. Ram Chatur Malik

02 Raga Darbari Kanhra - Alap [Pandit Ram Chatur Malik] the Don of Darbhanga Dhrupad, Ram Chatur Malik presents a master class in how to sing this grave raga, played deep into the night. Darbari is considered to be one of the more difficult ragas to master, and with the potential for profound emotional impact.

T.N. Sitram

03 Kalalanerchina - Deepakam [Prapancham T. N.  Sitaram] An ancient Thyagaraja ragam from South India played by the blind flute guru from Chennai.

Ustad Sabri Khan

04 Raga Darbari - Jhala [Ustad Sabri Khan]. Representing the Sainia gharana and Moradabad in Uttar Pradesh, Ustad Sabri Khan plays a difficult raga on a cantankerous instrument—sarangi.

Pt. Jasraj

05 Raga Darbari [Pandit Jasraj]. One of India’s outstanding vocalists renders the mighty night raga Darbari with style and power. Ustad Zakir Hussain accompanies on tabla so Mitt Romney should be pleased!


06 Raga Bhupal Todi [Hinmanshu Biswas and Dulal Roy] The Bengali duo of Biswas (bansuri) and Roy (jaltarang) wind up the concert with a stunningly artful Raga Bhupal Todi, another morning raga.

Saturday, June 23, 2012

Tamil Violin: Lalgudi Jayaraman

Lalgudi Jayaraman

A real delight of this world is the way the violin is played by South Indian musicians. It is as if it is a truly Indian instrument, not imported.  Tonight I share a live recording of the fabled Lalgudi Jayaram made in Bombay in the 1970s.

Lalgudi Jayarama Iyer (born September 17, 1930, India) is a well-known Carnatic violinist, vocalist and composer.
Born in the lineage of a disciple of the saint musician Thyagaraja, Sri Lalgudi Jayaraman inherited the essence of Carnatic music from his versatile father, late V R Gopala Iyer, who trained him meticulously.
At the age of 12, he started his musical career as an accompanying violinist.
Having an active imagination, quick grasp and an ability to adapt easily to the individual styles of the leading maestros in Carnatic music, while accompanying them in their concerts, he reached the forefront in rapid strides. With the concert experience he thus gained, coupled with sheer hard work and perseverance and the strong urge to give original expression to his musical ideas, he emerged as an accomplished solo violinist.
He expanded the style of violin playing by inventing a whole new technique that is designed to best suit the needs of Indian Classical Music and establishing a unique style that came to be known as 'Lalgudi Bani'. His flawless and fascinating style, graceful and original, yet not divorced from traditional roots, gained him numerous fans. This multi-dimensional personality has, to his credit, composed several 'kritis', 'tillanas' and 'varnams' and dance compositions, which are a blend of raga, bhava, rhythm and lyrical beauty. A notable feature about Lalgudi is that his music is very expressive. Lalgudi's instrumental talent comes to the fore in the form of lyrical excellence. He brought the most-sought-after vocal style into violin, and his renditions exhibit knowledge of lyrical content of the compositions.
He has been in great demand for accompanying vocalists, and has accompanied such great vocal virtuosos as Ariyakudi Ramanuja Iyengar, Chembai Vaidyanatha Bhagavatar, Semmangudi Srinivasa Iyer, G. N. Balasubramaniam, Madurai Mani Iyer, K.V.Narayanaswamy, Maharajapuram Santhanam, D. K. Jayaraman, M.Balamuralikrishna, T. V. Sankaranarayanan, T. N. Seshagopalan and flute maestros like N. Ramani, etc. His accompanying wizardry and quick responses to the various challenges posed by the main artistes remain unsurpassed. His accomplishments are numerous but chief of them is the fact that he was the first to bring international attention to the Carnatic style of violin playing. He also introduced a new concept of musical ensemble with violin, venu (flute) and vina in 1966, and gave several outstanding concerts.
He has given concerts extensively in India as well as abroad. The Government of India sent him to Russia as a member of the Indian Cultural Delegation. At the Edinburgh festival in 1965, Yehudi Menuhin, the renowned violinist, impressed by Lalgudi's technique, presented him with his Italian violin. He has also performed in Singapore, Malaysia, Manila and East European countries. His recordings submitted to the International Music Council, Baghdad, Asian Pacific Music Rostrum and Iraq Broadcasting Agency by AIR New Delhi have been adjudged as the best and accorded the first position out of 77 entries received from the various countries during 1979. He was invited to give concerts at Cologne, Belgium and France. The Government of India chose him to represent India at the Festival of India in USA, London and he gave solo and 'Jugalbandi' concerts in London and also in Germany and Italy that received rave reviews. Sri Lalgudi went on a tour in the year 1984 to Oman, UAE, Qatar and Bahrain, which was highly successful. He composed the lyrics and music for the operatic ballet Jaya Jaya Devi, which premiered in 1994 at Cleveland, Ohio (U.S.) and was staged in many other cities in the United States. In October 1999, Lalgudi performed in the UK under the auspices of Shruthi Laya Sangham (Institute of fine arts). The concert was a roaring success. After the concert, a dance drama Pancheswaram, composed by Lalgudi, was staged.
Jayaraman earned several titles, such as 'Nada Vidya Tilaka' by Music Lovers’ Association of Lalgudi in 1963, 'Padma Shri' by the Government of India in 1972, 'Nada Vidya Rathnakara' by East West Exchange in New York, 'Vadya Sangeetha Kalaratna' by Bharathi Society, New York; 'Sangeetha Choodamani' by Federation of Music Sabhas, Madras in 1971 and in 1972; State Vidwan of Tamil Nadu by the Government of Tamil Nadu and Sangeetha Natak Academy award in 1979 etc. The First Chowdaiah Memorial National-Level award was given to Sri Jayaraman by the Chief Minister of Karnataka. He also received honorary citizenship of Maryland, U.S. in 1994 and the Padma Bhushan by the Government of India in 2001. He won the National Film Award for Best Music Direction for the film Sringaram in 2006. In 2010, Jayaraman became a fellow of the Sangeet Natak Akademi.
Lalgudi Jayaraman is married to Smt Rajalakshmi and has two children: his son G.J.R.Krishnan and his daughter Lalgudi Vijayalakshmi. Both follow the footsteps of their father and are famous in their own right. He has three sisters Padmavathy, a vainika, Rajalakshmi and Srimathi, both violinists. The renowned veena player Jayanthi Kumaresh is Smt Rajalakshmi's daughter. (Wikipedia)




Track Listing:
01 Welcome Address
02 Raga Nagaswaravali (Sri Shankara Guru Varam)
03 Raga Vachaspathi (Paraathpara)
04 Raga Dvijavanthi (Akhilandeshwari)
05 Raga Shankarabharanam (Sankaracharyam)
06 Raga Jaunpuri (Eppo Varuvaro)


Friday, May 11, 2012

Carnatic Bluegrass: U Srinivas

Uppalapu Srinivas

Like the Australians who have yet to find a sport they are afraid of and don’t do well in (we’ve won Olympic Gold in speed skating and ski jumping for goodness sake!), the Indians appear not to have discovered a western instrument  that they can’t tune to their own scales. Violins, pianos, trumpets, saxophones and guitars are all now part of the Indian orchestra. As is the mandolin, that classic stringed lute most famous these days for its starring role in bluegrass and country bands from Kentucky to Bakersfield.


The mandolin has been played in Indian film music since the early 1940s but its real rise to prominence is the work of one man, U (Uppalapu) Srinivas. Born in the West Godavari district of Andhra Pradesh in 1969, Srinivas’s father dabbled in music and had a mandolin lying around the house.  Uppalapu was what they call a ‘normal’ kid, which means that he didn’t display any particular talent for anything other than being a young human being. But when he was 6 his parents returned home on day to find their son plucking out some tunes on the mandolin. 


A teacher was lined up to see if the boy had real talent but finding anyone who knew what to do with a mandolin was impossible. Eventually, Rudraraju Subbaraju, a classical singer, agreed to help. As he sang, Srinivas followed him on the mandolin. In 1983, when he was 14 years old, he played his first public performance and over the years has won a mass of Indian and international music and cultural awards.  He’s recorded with John McLaughlin, Michael Brooks and many others and continues to maintain a heavy touring schedule as well as manage the Shrinivas Institute of World Music in Chennai.

I picked this CD up at a small shop in the T Nagar area of Chennai several years ago. 


         Track Listing:

01 Chinna Nadeena-Kalanidhi-Adi
02 Janaki Ramana-Suddha Seemanadhi-Adi
03 O Rangasayee-Kamboji-Adi
04 Sri Gananatham-Kanagangi-Adi
05 Alakalallaladaga-Madhyamavathi-Rupakam
06 Paramathmudu-Vagadeeswari-Adi
07 Annapoorne-Sama-Adi