Showing posts with label Arabic. Show all posts
Showing posts with label Arabic. Show all posts

Monday, May 21, 2012

Semi Precious Lebanon: Fairuz

Islamic turquoise (Fairuz)

Fairuz means turquoise. She is the reigning Queen of Song in the Arab speaking world.  The more I listen to her the more I adore her voice and style. The Middle Eastern blending of western strings and orchestral swells with traditional rhythms and instruments is really addictive. It makes for lush music. Evocative luxury.

This one is called Modern Favorites. Sounds good to me. They do possess a modern sound and they are becoming favorites. Aloula especially. Hope you enjoy one of the finest musical treats in the world.  



            Track Listing
           01 Al Bosta
02 Ishtaktellak
03 Rajeat Fi Al Massa
04 Oghniat Al Wadaa
05 La Yadoum Igtirabi
06 Maarifti Feek
07 Aloula
08 Kifak Inta
09 Asfoura Al Shajan
10 Ams Intahena
11 Wa Lee Fouadon
12 Wahdon


Thursday, March 22, 2012

Lion of Jezirah: Ibrahim Keivo


Ibrahim Keivo is a Syrian singer who hails from the region of the Middle East that geographers call Upper Mesopotamia. It is where the northwest corner of Iraq, bumps into  the southeastern part of Turkey and the northeastern provinces of Syria. Essentially this was the home of the ancient and much feared Assyrians.

In Islamic times the name of the area, which lies between the Tigris and Euphrates rivers, was changed to al-Jazirah (the island) and to this day Syria refers to the region by the same name.  Like so much of the ancient world, Jazirah is home to Aramic speaking Chaldeans, Kurds, Arabs, Armenians and Yazidis (the remnant of an ancient Kurdish pagan religion). Many languages and dialects are spoken in the area and the culture is a truly syncretic and hybrid.

Ibrahim Keivo

I came to this amazing and thrilling record through the kindness of Nauma whose own wonderful blog was unilaterally ‘forcibly retired’ several months ago.  In honor of the brave and ancient civilization and people of Syria I re-post this absolutely essential collection of spine-tingling folk songs from Jezirah.  I also hope that by so doing the mission and vision of Nauma, to share essential, rarely heard and unknown music from forgotten corners of the world will continue to thrive.


Don’t hesitate. Truly. This is music that speaks to the very quick of the soul.


            Track Listing:
            01 Lauk (Kurdish)
02 Ashkalafem (Kurdish)
03 Rawi (Assyrian)
04 Goudi (Assyrian)
05 Tartiyawni (Assyrian)
06 Yar Dli (Mardin Arabic)
07 Sabiha(Mardin Arabic)
08 Semsam (Assyrian)
09 Ayes Kechir (Armenian)
10 Teelo Jan (Armenian)
11 Misho Akhchik (Armenian)
12 Sharfadina (Yezidi)
13 Edule & Derweshe Evdi (Yezidi)
14 Dehzarta Tauseda (Yezidi)
15 Siamand (Kurmandji  Kurdish)
16 Mawwal, Kul Al Hala (Bedouin Arabic)

Listen here.



Wednesday, March 21, 2012

Setting sun (M)oud Music: Abdel Hamid Tnnari (Updated Link)



I’m in a ‘oud-y’ mood these days. Just have to regular fixes of those Arabic gut strings pulling on the heart strings.

I don’t know and can’t find anything out about Abdel Hamid Tnnari but assume he’s Egyptian or Lebanese. Maybe Iraqi or Syrian. Can someone help?

So I guess that about sums it up for me. Nothing much to say except, that you are in for a treat. This album, despite its rather silly name, is splendid oud playing by someone who obviously knows the instrument intimately.

In case you don’t know what the oud is, think of it as the grandparent of the European lute.  Tnnari plays solo (as you’d guess from the title of the album) as well as sparsely and tastefully accompanied by violin, derbouka (small hand drum) and mazhar (Egyptian tambourine).  Music for the setting sun.

PS. I was recently contacted by Abdel Hamid Tnnari's grandson who is currently living in Sweden. He has confirmed much of the information provided in the comments below about this grandfather. I'm so pleased he reached out and I was able to share this recording with him, which he was not aware existed.  For links on Abdel Hamid's son, Hassan Tnnary's playing you can find lots on YouTube like this.







            Track Listing:
            01 Taksim Oud
02 Ngm Al Ams
03 Taksim Qanun
04 Taksim Oud
05 Taksim Ney
06 Raqs Halafi
07 Taksim Kman
08 Laeli Tarjou Ya Lael
09 Taksim Oud
10 Nism Alina Al Hua
11 Raqset Al Hareem

Listen here.


Wednesday, February 22, 2012

The Star and the Tuquoise: Oum Kulthum and Fairuz



The aural universe of the Arabic chanteuse is so distinct from that of South Asia. For someone raised on ghazals and sufi kalam both of which are performed with small ensembles of no more than two or three accompanists, the sweeping orchestral strings of the Middle East are at first blush over doing it. Even the-everything-including-the-kitchen-sink approach of Mumbai filmi senti-pop seems more simple and straightforward than even a small Cairo orchestra. 

I fully acknowledge that by making such statements I betray my bias. And un-trained ear. For years I’ve had friends wax on about the sublime Oum Kulthum but my South Asian ear has found it hard to find the golden thread.

Well as so often happens, things can suddenly change.  And so the big change has come to me. I’ve been listening to Oum Kulthum, Egypt’s (nay! the Arab world’s) Billy Holliday meets Begum Akhtar quite a bit recently and I am starting to get it.  Don’t ask me how. And don’t ask me to explain what it is I get, because my knowledge of Arabic is restricted to about 3 juicy and not for polite company phrases.  I just do.

Suddenly the waves of violins and dancing dumbek rhythms not only make sense but sound very pleasing. Their elegant sound is noble and befits the ancient lands from which they emerged. Oum’s voice is strong and the melodies different from those of the subcontinent. And perhaps that’s what makes is suddenly so nice. It’s different.

Oum Kulthum

So for your pleasure tonight I share two more albums. The first from the aforementioned Star of the East, Oum Kulthum: a live concert of unknown date but of timeless sound.  In it she sings one of her most beloved and famous songs Al Attal and is accompanied by a lively orchestra. 

Any number of sites on the internet or in music literature will give you lowdown on this icon’s life so I simply commend this magnificent music to you.

            Track Listing:
            01 Hayyarti Albi
02 Al Attal
03 Ana Fi Intizarak
04 Al Hobbi Koulloo
05 Anta Fen Wa Hobbi Fen
Listen here.

Fairuz

If Oum Kulthum is regarded the greatest female Arab voice of recent times, the Lebanese singer Fairuz (Turquoise, in Arabic) is considered the greatest living Arabic voice. The mother of Ziad Rahbani, previously spotlighted on Washerman’s Dog, Fairuz has a fantastic if slightly less heavy voice that her Egyptian inspiration.

Many of the tracks on this album are also from live performances and each once is worth many good listens, but my favourite is the amazing Ya Mina El Habayeb. Interestingly all the songs on this album refer to Arab capitals or countries.  And if you’ve spent  any time at all among Arabs you’ll understand just deeply they love their part of the world. 

            Track Listing:
            01 Beirut Hal Zarafat (Live)
02 Ya Mina El Habayeb (Live)
03 Amman
04 Al Kuwait (Live)
05 Hamaltu Beirut (Live)
06 Misr Adat (Live)
07 Baghdad Wal Chouarra (Live)

Listen here.


Thursday, March 24, 2011

Boppin' in Beirut: Ziad Rahbani, Salma Mosfi and Ilham Madfai






Ziad Rahbani

There is quite a bit on at the moment in the Middle East.  Lest we conclude that in Arabic speaking lands nothing but mayhem and disorder can exist, the Washerman's Dog has decided to offer up some powerful evidence to the contrary.

Ziad Rahbani is a Lebanese playwright, composer and iconoclast who began writing poems at the age of 13. Son of the famous Lebanese singer Fairuz, Ziad has used his music as a platforms to critique and satirise political events in the Middle East. A proud fellow traveller and sympathiser of the communist Left Rahbani has managed to carve a respected artistic reputation for himself in Lebanon while at the same time irritating all sides of the delicately constructed  Lebanese political landscape.  In 2001, a year of momentous political developments across the globe, Rahbani composed a set of jazzy Bossa Nova tracks which were recorded by the singer Salma Mosfi. Monodose is an album that blew me away when I first heard it soon after its release.  It is sophisticated, accomplished and polished jazz. Salma handles the material with confidence and joyfulness, her voice seems to be made for singing jazz.  The only off-putting aspect of the album is the title. But perhaps it is one of Rahbani's satirical digs at the powers that be and the need to immunise ourselves from the viral political winds that were starting to blow at the time of the album's release.  But this is a minor complaint. This is lovely, surprising and unique music, plain and simple. Enjoy it.
     Track Listing:
     1. Mish Bas Talfinly (So Danco Samba)
     2. Un Verre Chez Nous
     3. Ma Mneeha El-Risali
     4. Ma'am A'rif Leh (Gingele)
     5. Black & Why (1)
     6. Ass'ada' illahou Masa'akom
     7. Walla't Kteer
     8. Da'wa Dodd Majhoul
     9. Ma Bitfeed
   10. Black & Why (2)
   11. Instrumental

Listen here

Ilham Madfai
Ilham Madfai, is an Iraqi, but hugely popular throughout the Middle East. Indeed, throughout the world. He's probably the most well known Arabic pop star in the West thanks to his best selling albums, a recent interest in his homeland and festivals like WOMAD. But this would suggest that he is a recent 'flavor of the month'. Far from it. Madfai has been making pop music since the 1960s and is credited with being the father of Iraq's first rock n' roll band, The Twisters.  As a university student in the UK he continued to make music at London's Baghdad Cafe where  he jammed with contemporary stars like The Beatles and Georgie Fame. Ever since he's been known as the 'John Lennon' of Iraq.  As an exile in the Gulf and later in Europe Ilham Madfai has kept on making some of the most real and exciting music in the world. His blend of traditional Arabic instruments and singing styles with Spanish guitar runs and rock n roll beats are absolutely addictive. He is one of the Washerman Dog's all time favorite artists.

This collection, released in 1999, is from a number of performances at Beirut's Hard Rock Cafe. The record captures the atmosphere, the fine performances of Ilham and his band and the appreciative audience very well. You'll be up and clapping yourself by the end.


Track Listing:
  1. Bint Al Shalabla
  2. Ya Azouli
  3. Ya Qlaibi Sil Wo Dood
  4. Dizani Wa Arif Madami
  5. Mali Shughul bil Souq
  6. Chobie Pt 1
  7. Chobie Pt 2
  8. Khuttar
  9. El Rail wa Hammad


Listen here

Thursday, February 24, 2011

Stand up to the Colonel: Hamid al Shar'eri


In this time of existential crisis in the ancient land of Libya, in this time of severe struggle, I post an old record by Benghazi born and raised (but now exiled in Egypt) musician Hamid al Sha'eri.  Let us hope that he will soon be able to play his pop dance music back in Tripoli before too long.



Track Listing:
Wein Ayamak Wein
Ya Bonya Khashety Baly
Ya Ghaly
Ya La Yemin
Ya Markeb El Gahye
Geit Ya Sheta
Raheel
Aatebny
La Ma Nasina
Ya Saheb
Reit


Listen HERE

I am grateful to the great blog Digital Meltdown for this record. Check out the blog for other North African and Middle Eastern music from countries currently in turmoil. A great place to learn and contribute at least some spirt to the cause.