This record falls into the category of ‘essential’. Whether you ‘get’ bluegrass music or not, Old and In the Way, the album by the
super group of the same name, should be a regularly played part of your
collection.
My ears first delighted to this record in the First Age of
Vinyl in the mid-1970s. I shared a large
house on a leafy avenue in Southeast Minneapolis (just a block and a half from
two Minneapolis institutions: Ralph and Jerry’s Supermarket, which was hardly
bigger than a postage stamp, and Positively 4th Street, one of the
coolest record shops in the Upper Midwest where I wasted away uncounted hours
flipping through rack upon rack of records wishing I could afford the $5.98
each one cost…highway robbery I tell you!) with my best friend and two co-eds
who were majoring in psychology and English Literature.
In those days of student housing it was expected that part
of each person’s contribution to a harmonious and well-functioning household
was bringing and sharing your record collection. If you didn’t have one or if you wanted to
set up your stereo in your room and listen to the music on your Koss headphones
then you probably weren’t going to last very long as a housemate. Exceptions, of course, were made for cute (or
bolshy) co-eds, but definitely not for the men.
One of those cute co-eds (who went on to marry my best
friend) had Old in the Way in her
collection. I can’t remember what else
she had to offer in terms of vinyl platters but this single record was worth
100 additional. I was not into bluegrass
at all at the time. I sneared at people who listened to country music. I had a mental block against the Grateful Dead, whom I weirdly
considered to be a threat to my Christian faith! Indeed, my musical tastes were very green at
this juncture of life (I am embarrassed to admit that my favourite singer at
the time was Al Stewart).
But it was J’s playing of this record that began the opening
of my narrow musical tastes. I instantly
took to the sprightly playing, the tight but rough vocal harmonies that gave
the impression they could just as easily steer the song right off a cliff as
bring it in for a safe landing. When J
told me that Jerry Garcia was the
main force behind O&ITW I didn’t
know what to think. This was great music, but didn’t he play guitar for in that
druggie band, the Dead? On the
sleeve I recognized one other name, that of Vassar Clements, the great fiddler, who I remembered from Robert Altman’s 1975 film Nashville, which I had loved. Everyone else was completely unknown to me.
Funny how one record can lead to so many others. It was by
listening to this record that I turned to American
Beauty (Grateful Dead) and began
a long, slow but powerful love affair for Jerry Garcia as a champion of
American traditional music. Dave Grisman, who played mandolin on
the record, became a favourite of mine because of this record and I later came
to understand the stature of Peter Rowan
in American traditional music.
I’ve owned this record as a home-recorded tape, a
pre-recorded cassette, a LP and now as an MP3.
It is an old friend and for those of you who (for whatever prejudice or
injustice) have not had the pleasure, I commend to you from the bottom of my
heart, Old and in the Way.
Old & in the Way was a one-shot bluegrass band whose legacy lasted far
longer than the band. Led by Grateful Dead member Jerry Garcia (banjo, vocals), the band also featured David Grisman (mandolin, vocals), Vassar Clements (fiddle), Peter Rowan (guitar, vocals), and John Kahn (bass). Garcia formed the band in 1973 as a way to revisit his
bluegrass roots and demonstrate his affection for the music. To round out the
lineup, he recruited Clements and Kahn
as well as Grisman and Rowan, who were both West Coast session musicians who had
previously played together in the band Muleskinner. Taking their name from a Grisman composition, Old & in the Way played a handful of gigs, most of
them at the Boarding House in San Francisco in October. An album, also called Old & in the Way, was culled from these shows but not
released until 1975 on the Grateful Dead's own record label, Round. The record
combined standards and Rowan originals, which later became standards. Although
the album was the only one the lineup released during the 1970s, the members
continued to play together in various permutations over the next two decades,
and the record continued to sell steadily. The group reunited after Garcia's death in 1995, releasing a second album (actually
composed of 1973 recordings), That High Lonesome Sound, in early 1996. A third album of 1973
vintage appeared at the end of 1997. (AMG)
Track
Listing:
01 Pig in a Pen
02 Midnight Moonlight
03 Old and in the Way
04 Knockin' on Your Door
05 The Hobo Song
06 Panama Red
07 Wild Horses
08 Kissimmee Kid
09 White Dove
10 Land of the Navajo
3 comments:
I have never been a bluegrass fan (except Alison Krauss and Bela Fleck). I'll give this a good listening.
Permission Denied. Looks like you have some other great music here. Thanks for sharing
reupping now
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