I never will go back
to Alabama, that is not the place for me
You know they killed
my sister and my brother,
and the whole world
let them peoples go down there free
I never will love
Alabama, Alabama seem to never have loved poor me
Oh God I wish you would
rise up one day,
lead my peoples to the
land of pea'
My brother was taken
up for my mother, and a police officer shot him down
I can't help but to
sit down and cry sometime,
think about how my
poor brother lost his life
Alabama, Alabama, why
you want to be so mean
You got my people
behind a barbwire fence,
now you tryin' to take
my freedom away from me
-JB Lenoir
The blues is about many things. Son House believed it was all about the
relationship between a man and his woman. Blues have been sung about every
contraption and every situation imaginable. The strain of the blues that I’ve
always found the most powerful is the one that speaks of the singer’s
experience. Whether that be poverty,
love, injustice, politics or a favorite drink.
I spent a month, many years ago now, locked within a compound on the
border of Afghanistan. A small clutch of
cassette tapes kept me company through the long days and evenings. One of them
was a C-90 with Memphis Slim on Side ‘A’ and Champion Jack Dupree on Side
‘B’. Both were good but Side ‘B’ was
full of stories from Jack’s life. Ugly mothers-in-law, noisy neighbors, racist
white people, the sun going down and his dream of being honored by JFK. He delivered each with humor and pathos. By
the time I left that compound I felt like I knew who Jack Dupree was. All I
really knew about Memphis Slim was that he played raunchy piano. And not only
did I ‘know’ Jack’s life, I felt as if his blues had given me a glimpse into the
everyday experience of black American man before the civil rights movement.
The blues of JB Lenoir, one of which opens this post, are similarly
powerful. Considered by many to be one
of the all time great bluesmen, the “bluesman’s bluesman”, he was born in the
deep south but moved to Chicago, the terminus of the great northern migration,
as a young man. Beginning in the mid
50’s JB wrote songs that stood apart for their frankness and clarity of
vision. He didn’t pull any punches,
though his record companies sometimes did, renaming Eisenhower Blues, to Tax
Paying Blues, in an effort to not piss off the President.
He sang with a high, slightly fragile voice but of difficult subjects. The
way he hated the south. The war, being poor. Like a prophet from the Old
Testament he called upon God to wield his terrible swift sword. He is best remembered, though, for several
fast paced songs that are part of the great American bar band songbook now: Mama Talk to Your Daughter, Mojo Blues and
Voodoo Blues.
In 1967, he had an accident and died some weeks later, just a couple
years short of 40.
Given my current location, I share this brilliant, brave music,
compiled in an album called Vietnam Blues
for your Sunday listening pleasure.
Track Listing:
01 Alabama
02 Mojo Boogie
03 God's Word
04 The Whale Has Swallowed Me
05 Move This Rope
06 I Feel So Good
07 Alabama March
08 Talk to Your Daughter
09 Mississippi Road
10 Good Advice
11 Vietnam
12 I Want to Go
13 Down in Mississippi
14 Slow Down
15 If I Get Lucky
16 Shot on James Meredith
17 Round and Round
18 Voodoo Music
19 Born Dead
20 Leavin' Here
21 Vietnam Blues
22 How Much More
23 Tax Payin' Blues
24 Feelin' Good
6 comments:
What a wonderful record! Thank you so much for sharing. I have listened to many blues albums from UK to African blues but this one has to be one of the best I've heard. I love the simplicity and clarity of the recording. He has the voice of a gospel singer!
Keep on sharing the love!
Mofonk.
Mofonk, I agree. A unique voice.
J B Lenoir has been a haunting and thought-provoking experience, his tunes floating in the back of my mind. Such an original voice Listen a while and the man tells you who he is.
Where is the link?
Musrafak, It has been deleted. will reup in the next day or so.
Cheers
N
Musrafak, reupped. link is barely visible in yellow at the left bottom side of the post.
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