Shamim Ahmed
was a sitarist much loved by his guru
Pandit Ravi Shankar with whom he
travelled internationally from the mid-1960s onwards. He also taught at Shankar’s school in California for many years, while also
performing and recording in his own right.
Born in Baroda (Vadodra)
Gujarat in western India in 1938, the musical tradition of his family was khyal (northern classical singing). His
great uncle was the doyen of Agra gharana
Ustad Faiyyaz Khan. He was mentored by his father but when on a
visit to Agra Shamim fell ill with
typhoid fever. Upon recovery he was dismayed to find his vocal range much
diminished rendering him to contemplate life from a new perspective. He decided to take up the sitar and returned to Baroda and
the local Music College. He threw
himself into learning the instrument, confessing later in life, he would ‘walk
three miles a day for any chance to play the sitar.’
In 1951, Ravi Shankar performed in Ahmedabad and through family connections,
Shamim was introduced to him. A few years later they
met again in the course of a musical competition in which Shamim was playing. Shankar invited him to his home where
the young man played for the respected maestro. The next day they underwent
the ganda-bandan ceremony – the
thread-tying ritual that symbolically binds guru
to shishya (student-disciple) – in December 1955, making him one of
Shankar's earliest pupils. From then until 1958 he would make the
1000-kilometre journey from Baroda to Delhi by train in order to study. In
addition to ordinary lessons, intensive practice periods sometimes lasted five
or six hours. Honouring the guru-shishya
tradition, Shankar provided his shishyas with accommodation, victuals
and necessities without asking for recompense, even after Shamim Ahmed was awarded a Government of India musical scholarship
in 1958.
When Shankar moved to
the US in the early 1960s, he made sure Shamim
Ahmed accompanied him. He made some early recordings (one of which is
shared tonight) and also accompanied the great tabla player Allah Rakha
on his ‘fusion’ recordings with jazz drummer Buddy Rich.
Shamim
Ahmed had a sweet, full-throated voice on the sitar, very similar to
his guru's. He recorded as a principal soloist for a variety of record labels
across the world. He was one of a select band of Shankar disciples, including Vishwa
Mohan Bhatt, Manju Mehta, Kartik Seshadri, Barry Phillips, Partho Sarathy,
Anoushka Shankar and Lakshmi
Shankar.
In person Shamim Ahmed
was an extremely modest and humble man. After one recital he asked a journalist
quietly, without being pushy, if, when he next spoke to Shankar, the journalist would give him an honest account of how he
had played. He defined Shankar's
character in three words – "discipline, devotion and compassion".
That description applied equally to Shamim
Ahmed Khan. (The Independent)
Shamim
Ahmed passed away
in February this year in Mumbai.
Track Listing:
01. Bagheshwari
02.
Nat-Bhairev
03.
Khamaj
1 comment:
thanks Ajnabi.
btw, sounds to my ears that the Khamaj and Nat Bhairav have been transposed
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