Dave Brubeck in Kabul (1958)
Sticking to the theme of
better days of Afghanistan and its musical history, I was pleasantly surprised
to learn that in the late 1950s and early 60s, Kabul was a regular stop for
American musicians on their global tours.
Duke Ellington touches down in Kabul |
The Meridian International
Center (about whose existence I was informed by an old dost, Hannah) has a wonderful site dedicated to documenting the
history (albeit cultural and positive aspects, not so much the recent more
ambivalent aspects) of American-Afghan relations. The Center’s basic premise
that “cultural exchanges and exhibitions serve as catalysts for
greater mutual understanding” is one I have no problem with and indeed endorse
wholeheartedly. As another follower of the Dog
said recently, "I've
decided that MUSIC is just about the only thing that can be a force for Good in
the world 'cause it's just about the only thing that can touch and move the
human heart."
Indeed.
Kuchi lady |
Today’s
post features the West-coast jazz of the hugely popular (and not uncontroversial)
Dave Brubeck. His band visited Afghanistan in 1958 and soon
thereafter released an album called Jazz
Impressions of Eurasia. One of the tracks, Nomad was inspired by the Afghan kuchi nomads that tend the large herds of camels all across the
southern and eastern parts of the country.
Transcript of "Nomad" |
The
album cover itself is a lot of fun. And historical. Not only is Pan Am such a
cipher for a certain, more certain age of American involvement in the world but
the goofy turban that Dave sports on his head is, I suppose, some art
director’s attempt to bottle the essence of ‘East’.
Now
all we can hope for is that one day soon such exchanges begin again. How about Bob Dylan in Badakhshan! Or JJ Cale visits Jalalabad. Or Mose Allison rocks Mazar-e-Sharif?!
I’ll
be first in line. Let me know how many tickets you want!
Track Listing:
01. Nomad
02. Brandenburg Gate
03. The Golden Horn
04. Thank you (Dziekuje)
05. Marble Arch
06. Calcutta Blues
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