John Handy is a saxophonist who teaches jazz
and other good things in American universities, particularly around the San
Francisco Bay area. He started his jazz
career in the late 1940s and spent considerable time playing and recording with
Charlie Mingus in the late 1950s and
early 60s.
John Handy |
In 1975,
before such things were all the vogue, he made a record with Indian sarod player, Ustad Ali Akbar Khan. Titled Karuna
Supreme, it is perhaps a complement to Coltrane’s Love Supreme. Karuna is a Buddhist concept/word signifying
compassion.
Ali Akbar Khan |
It is a
great record and I’ll let others tell you about it. Enjoy!
Karuna
Supreme, recorded in 1975, is one of the earliest true fusions
of Indian music and jazz, and remains one of the most successful. John Handy's incredible mid-'60s
quintet ably demonstrated his aptitude for modal playing, and Ali Akbar Khan had long been one of
Indian music's greatest ambassadors. Like Khan,
Zakir Hussain was also the son of one of India's finest musicians, and had
been exposed to jazz as well from an early age (his father, Allah Rakha, recorded with Buddy Rich in addition to his long
association with Ravi Shankar). The
way these players find the common musical ground from their respective
backgrounds is breathtaking. The album starts with the lively "Ganesha's Jubilee Dance," which has
a simple but unforgettable melody that Handy
and Khan use as a springboard for
some amazing soloing. Handy's
improvisations are melodic and effortless, and some of the rhythmic flourishes
supplied by Ali Akbar Khan are
incredible. Zakir Hussain is equally
stunning, reacting instantly to whatever the soloist is doing, offering both
support and drive to the piece. The title cut is slower and more contemplative,
but no less beautiful, and a nice complement to the animated "Ganesha's Jubilee Dance." "The Soul and the Atma" is a bit
more reminiscent of Indian classical music, with its alap-like introduction, but once the tabla kicks in, the structure opens up for more amazing
improvising. It starts kind of slowly, but gradually builds intensity over the
course of its 20-plus minutes. The level of communication among the players
throughout this session would be difficult to surpass. This is one of those
rare East-meets-West recordings that absolutely succeeds at every level. Highly
recommended.
(AMG)
Track Listing:
01.
Ganesha’s Jubilee Dance
02.
Karuna
Supreme
03.
The
Soul and The Atma
3 comments:
Very nice. Thank you for sharing. Apurva from Pune, India.
Few East-West fusion projects are genuinely successful. This is certainly one.
Others from this period that I greatly enjoyed were the first two Shakti records, and "The Restful Mind" by Larry Coryell. Thanks!
Hi. Do you think you could post this again? I just heard about this recording and can't find it anywhere.
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