Showing posts with label Funk. Show all posts
Showing posts with label Funk. Show all posts

Friday, March 8, 2013

Of Prophets and Disciples: Bill 'Ravi' Harris and Chitti Babu



Oh, East is East, and West is West, and never the two shall meet,

Till Earth and Sky stand presently at God’s great Judgment Seat;

But there is neither East nor West, Border, nor Breed, nor Birth,

When two strong men stand face to face, tho’ they come from the ends of the earth.
[Rudyard Kipling]

Say what you will about the imperialistic, macho poetry of the British Raj’s great apologist, but buried within the sentiment, faux-chivalry and smugness lay some cracking lyrics. The one that opens tonight’s post is not necessarily the best of Kipling’s nuggets but it is, arguably, the most widely quoted.

And in some weird way it encapsulates the purpose of this early, hot, autumn Friday evening post. East and West try to meet. Two strong men (with their retinues of Prophets and Disciples) stand face to face, ready to do battle. Not with sabres or bandooks but armed with sitar and veena.  

The Washerman’s Dog will leave to you to pronounce judgment whether either of these men have been able to prove Kipling wrong and blend East and West.

Bill ‘Ravi’ Harris has a day job. He produces very groovy R&B records for the likes of Sharon Jones and the Daptones on his Daptone Records label. As a teenager Gabriel Roth (Bill’s day-job name) had two loves: James Brown and the sitar.  The combination was bound to end in trouble one day. And that day resulted in a weirdly wonderful recording called, not unexpectedly, Funky Sitar Man. With a couple of Hindu erotic sculptures (could be from Khajuraho) swinging their hips on the cover, Harris gets encouragement for his sitar-funk curry from a couple of Prophets: Mike Wagner on bass and on drums, Philippe Lehman.

The record covers songs by Harris’s hero James Brown, The JBs and a very cool version of the original Afro-funk hit, Soul Makossa.  I’ve heard many attempts to fuse the sitar with Western music but never did I think I’d be tapping my foot to Sex Machine!  

Sounds like a novelty and I suppose in some sense, the record is. Certainly, its a bit of personal indulgence; Harris is having fun for sure.  But put all that aside, the music is good. While he’s no Ravi Shankar, his sitar playing is not at all bad, and with the Prophets providing a funky rhythm, the overall sound is very much worth repeated listens.

Funky is not a word normally associated with the ancient Indian instrument, the veena. But Telegu musician, Chitti Babu, is certainly nothing if not cheeky. Famous for being one of India’s most talented veena players, he also had a knack for making records with wild, rather contextually inappropriate covers.  Indeed, it was the cover of tonight’s second record that attracted me to the music of Chitti Babu. Looking like a rural playboy, lounging in his very own ‘love den’, his voluptuous veena nestles next to him like his darling lover.

The record is called The Musings of a Musician and is performed by Chitti Babu and His Disciples.  In English that sounds hubristic. Even Messianic. But in Indian English and coming from a recognized master of classical music, the serious-looking men on the back cover, are indeed disciples. The structure and tradition of Indian classical music, Hindustani  or Carnatic, is built around the relationship between the Pandit/Ustad (master) and the shishya/shagird (student) which over many years of association takes on the tone and tenor of discipleship.

The music (and clearly, the cover, too) is aimed at a Western audience.  Side 1 is fairly straightforward-a medley of several ragas.  But Side 2 is a frank bid to make music along non-Indian lines.  With titles like Rendevouz and Fairy Tale the tracks are truncated and never really get off the ground.  But that being said, the record is worth listening to for its audacity and creative vision.  India had rock bands and jazz bands that played music that was immediately recognizable as ‘rock’ or ‘jazz’. It was jazz that just happened to be played by Indians.  But this record is one of the few made by purely classical Indian musicians (Ravi Shankar, and L. Subramaniam, being the most notable) who tried to make  Western, or Western-themed music with traditional Indian instruments.  And for that Chitti Babu deserves to be recognised.

So, two strong men, from the ends of the Earth, refuse to buy into Kipling’s fatalistic vision. One tries to recreate his beloved sexy soul music on a foreign sitar. The other uses his native instrument to make music that foreigners can dig.  

Wah! Cool!

Track Listing (Bill ‘Ravi’ Harris)
01 Path Of The Blazing Sarong
02 Gimme Some More /Hotpants Medley
03 Soul Makossa
04 I Dream Of Gina
05 Ravi's Thing
06 Cissy Strutt
07 Look A Py Py
08 Lost Dragon Of The Sahara
09 Pass the Peas /Sex Machine Medley
10 Funky Sitar Man
11 Same Beat
12 Escapism
here


Track Listing (Chitti Babu)
01 Raga
02 Rendevouz
03 Old Memories
04 Fairy Tale
05 Rhapsody
06 Royal Salute
07 Solitude
here





Thursday, February 14, 2013

Good Vibrations 1-2: Jazz and Funk



Nothing dramatic just some good vibrations in jazz, funk, soul and R&B.  The first two volumes of collection known as The Vibe!


The Vibe! Vol 1 -- Hypnotic Grooves, Hard Bop and Modal Jazz
Track Listing:
01 Estate' 61 [Quartetto di Lucca]
02 Jambo [Guy Lafitte Jazz Combo]
03 Lotar [Quintetto Basso-Valdambrini]
04 Five, Four and Three [Lee Konitz]
05 125th St. and 7th Ave [Oliver Nelson]
06 Take Ten [Paul Desmond]
07 Got No Money [Dusko Gojkovic]
08 Concerto For Billy The Kid [Georges Russell and his Smalltet]
09 Greensleeves [Paul Horn]
10 Ode to Trane [Harold Vick]
11 Tijuana Gift Shop [Charlie Mingus]
12 A Night in Tunisia [Art Blakey's Jazz Messengers]
13 Monotonia [Sestetto Basso-Valdambrini]



The Vibe! Vol 2 -- Ghetto Funk, Sweet Soul and Classic Breaks
Track Listing:
01 Shape Your Mind to Die [Leon Thomas]
02 Action Speaks Louder Than Words [Chocolate Milk]
03 Would You Believe in Me [Jon Lucien]
04 A Chance for Peace [Lonnie Liston Smith and the Cosmic Echoes]
05 Elevate Our Minds [Linda Williams]
07 Mama Soul [Harold Alexander]
08 Oops Here I Go Again [Edna Wright]
09 Do Something For Yourself [Weldon Irvine]
10 Wild Party [Tito Duarte]
11 Ain't No Change [New Birth]
12 Sunshine Holiday [Carolyn Franklin]
13 God Made Me Funky [The Headhunters]

Friday, November 9, 2012

Friday Night Special: R&B, Funk, Soul Mixtape



Friday night. A little mixtape of some classy Rhythm and Blues, Soul and Funk for the weekend.

Enjoy!

            Track Listing:
            01 (Everybody Wanna Get Rich) Rite Away [Dr. John]
02 Rainy Night In Georgia (Feat. Chris Botti) [Aaron Neville]
03 September 13th [Deodata]
04 Give It Up or Turn It a Loose [James Brown]
05 F.U.N.K.[Betty Davis]
06 Black Wonders of the World [Billy Paul]
07 Funky John [Johnny Cameron and the Camerons]
07 I Love You, I Need You [Otis Clay]
08 Below The Funk (Pass The J)
09 One More Chance On Love [Candy Stanton]
10 The Bravest Man In The Universe [Bobby Womack]
11 Crazy Love [Ray Charles and Van Morrison]
12 Bridge Over Troubled Water [King Curtis]
13 Below the Funk (Pass the J) [Rick James]
14 How Strong is a Woman [Ann Peebles]
15 Cadillac Jack [Andre Williams]
16 Soul Power [James Brown]
17 Calling [Raphael Saadiq]
18 Hello Stranger [Barbara Lewis]
19 I'm Coming Out {Chic-Mix) [Diana Ross]
20 Soulville [Aretha Franklin]
21 Easy Goin' Evening (My Mama's Call)
21 Little Ghetto Boy [Donny Hathaway]
22 Talkin [Brass Construction]
23 Runnin' [Amerigo Gazaway of Gummy Soul]
24 Right Place, Wrong Time [Ray J]
25 Stay In My Corner [The Dells]
26 Washington D.C. [Gil Scott-Heron]
27 Misty Blue [Fiji]
28 Lady Doctor [Johnny Robinson]
30 What a Man [Linda Lyndell]
31 Come On In [Sam and Dave]

Tuesday, September 25, 2012

Sweet, no matter how you define it: Ivan Joe 'Boogaloo' Jones


Boogaloo is a term with several meanings.  Officially, they say, it refers to a type of dance music born in Spanish Harlem in the 1960s. In some parts of Canada, a boogaloo is a beat up rust-bucket of a car as in, ‘where did you get that boogaloo?’ Other frightened types, say the word is the best way to describe African Americans, or anything they consider dodgy.


Ivan Joe Jones, was a R&B, blues guitarist whose music lived in the shifting sands that demarcate jazz from funk. Jones, is quite a common name and so is Joe. And in music there were quite a few other players with similar names. Especially, the jazz drummer, Philly Joe Jones.  Ivan, was not so famous but just in case one day he became so, he wanted everyone to understand that he was not be confused with the other guy. So he inserted the title ‘Boogaloo’ into his name.  Ivan is what the musical authorities call a journeyman. His music was solid but ‘not outstanding’. He played with many jazz and R&B greats and made a whole series of great records in the 60’s and 70’s.  

Ivan Joe 'Boogaloo' Jones

Now, for me, the term ‘boogaloo’ has always meant fast or quick.  And clearly that is what Ivan brings to the definition, because he playing is often like quicksilver. Running up and down the neck of his guitar with single note annunciation second to none.  Listen to the fierce but absolutely joyous playing on You've Got It Bad, Girl to see what I’m talking about. Stunning stuff. It this is merely solid playing then even George Benson has to be considered a journeyman too.

Sweetback is an album from the mid-1970s . It has all the lush life of that era--soaring saxes, loungey flutes and strings, ample (but unexpected) covers of big hits (Jamaica Farewell)­—as well as, of course, Ivan Joe’s finger’s boogalooing each song forward. Plump, sweet and funky! Perfect for any occasion.


            Track Listing:
            01 Confusion
02 Trouble In Mind
03 Sweetback
04 Have You Ever Been Mellow
05 Jamaica Farewell
06 You've Got It Bad, Girl



Friday, July 20, 2012

The Taverns of Your Mind: Bombay Jazz Palace

There were two cinemas in Mussoorie, the Himalayan hill station where I grew up, that we regularly visited. One featured mostly English movies, Rialto. The other, much grander in name, Picture Palace, showed Hindi sari-rippers.
Picture Palace, Kulri Mussoorie

Attending the movies was a weekly event for most of my youth. For Rs. 1-3 you could  spend two hours totally lost in a world of colourful and musical magic.  Perfect therapy for kids stuck in a boarding school hundreds if not thousands of miles away from home.

In about 1970 a really cool (far out, was the phrase we used in those days) restaurant opened just down the Mall a ways from Picture Palace. It was called The Tavern. There was so much to commend the place to us. Situated geographically between Picture Palace and Rialto it was the ideal meeting place for groups of us after whichever brand of Wood we preferred to support, Bolly or Holly. You had to go upstairs, which implied some sort of ‘club’ and gave a slightly iniquitous aura to the venue.  This was reinforced once you got inside and saw that on each table were HUGE ashtrays made out of some sort of steel car part (gasket?). They screamed, “Fill me up with butts and ashes!” Heady stuff for us conservative cloistered bunch of Christians. 

The Tavern, Mussoorie

The owner of the Tavern was friends with someone who had access to a steady supply of American rock n roll records which proved to be the ultimate pull factor for us.  The Doors, Alice Cooper, David Bowie, Creedence and Santana were always on high rotation at the Tavern.  Cigarette or not, money or not, just hanging out at a window table that overlooked the Mall, listening to the tunes was proof enough of having arrived at an elevated level of coolness.

To honor those wonderful memories here is a groovy set of tunes called the Bombay Jazz Palace a compilation album of fourteen tracks influenced by both traditional Indian music, and various species of jazz and funk. The majority of the album's music dates from 1970s or late 60s, forming part of the Western counterculture's growing interest in Asian culture.
The first ten songs are by European and American musicians (many of whom have names like classmates of mine: Dave Mackay? Vicky Hamilton?) exploring the instrumentation, rhythms, and scales of Indian music, with varying degrees of authenticity. The final four songs show a kind of mirror-image, with Indian musicians taking influence from popular idioms of Western music from the 1970s.
Notable musicians featured include Lalo Schifrin, Dave Pike, Ravi Shankar, and George Harrison.
(Wikipedia)

Cool!

Light a Wills, order some sheekh kabob and naan, sip a fresh lime and soda and chill out at the Tavern of your mind!


            Track Listing:
            01 Latin Tala (Paul Horn and Nexus)
02 Zoom (Volker Kriegal)
03 Haschish Party [Georges Garvarenz]
04 Blues for Hari [Dave Mackay and Vicky Hamilton]
05 Raga Jeera Swara [The Dave Pike Set]
06 Contemplation [Between]
07 Secret Code [Lalo Schifrin]
08 Tabla Samba [Grupo Batuque]
09 Path to Ascension [Yves Hyatt]
10 Acka Raga [shocking blue]
11 Dispute & Violence [Shankar Family and Friends]
12 Raga Bairagi [Shankar Jaikishan]
13 Universal Magic [Ananda Shankar]
14 Bombay Palace Part 1[Muhavishla Ravi Hatchu and Indo Jazz Following]