A few nights ago I showcased the music of The Skatalites who started out playing
in the hotels of Kingston in the early 1960s.
Their influence was profound and wide spread impacting musicians far
beyond the shores of their native Jamaica, reaching even to the high plain of
Addis Ababa, Ethiopia. Tonight’s post features the music of another large band
that played the hotel circuit, the Ethio
Stars.
Ethiopia in the late 1970s was not a happy place. A
Communist led coup had toppled the world’s oldest monarchy and the much revered
Emperor and Lion of Judah (according to his Jamaican Rastafarian followers), Haile Selassie. By 1977 the military junta (Derg) was in the
midst of an internal power struggle. In
a speech that year the nominal head of the Derg, Col. Haile Mariam Mengistu rattled his colleagues and rivals by
producing three bottles filled with red liquid.
“Death to counter revolutionaries,” he cried and then threw down the
bottles of blood to leave no one in doubt about what was to transpire.
Over the next 18 months political assassination and outright
murder in the streets dominated the country. Cameras, typewriters and
mimeograph machines were declared contraband. The Red Terror touched every
neighbourhood and family sending shockwaves throughout the country. Thousands
were imprisoned as Mengistu strangled
not only all opposition but any independent artistic expression.
The Derg regime fell in 1991. In 1992 I met and interviewed
hundreds of refugees from Ethiopia who had lived through the Red Terror. The
stories they told were horrific. The level and variety of deprivation and
torture they had endured was hard to fathom. I had never encountered such a
strong sense of violation and humiliation in a group before. As I listened to
their stories late into the night I found it hard to follow the political narrative
they shared. So many abbreviations for so many liberation fronts and so many
factions in the Derg. I found it impossible to keep hold of the story’s string.
After a few days it dawned on me that the circuitous tales I
was hearing were accurate reflections of the lives of the men and women who
were telling them. The average urban
Ethiopian had had to develop a keen sense of telling which way the wind was
blowing to survive. Loyalties had to switch off and on if one had aspirations
to get a job or finish university. And
to prove loyalty or to secure the patronage betrayals had to be made. Personal
ethics had to be put to one side. I have
felt a deep sadness for those men and women ever since for their having been
sucked into a system that demanded they betray themselves and their friends and
beliefs just to live.
Which makes the case of the Ethio Stars interesting. I in no way want to suggest that the
members of the band (and others like it) were co-opted by the Derg. They were undoubtedly musicians trying to
keep their passion and vision alive, even in the darkest days. And they deserve
the deepest respect for doing so. Yet to play in hotels in Addis, to have
access to recording studios and musical instruments at a time when the
everything was controlled by and in service to the State, must have required
some painful cowtowing and uncomfortable compromising from the band. That they
(may) have done so and yet produced such fine and genuine music is a tremendous
tribute to them.
Ethiopian music has become a minor rage in the past several
years and rightly so. It is well informed and sophisticated, drawing on deep
indigenous cultural streams. The country has produced a large number of truly
amazing highly accomplished jazz-oriented musicians. The record, which actually features two
bands, The Ethio Stars and The Tukul Band, is a strong example of
such streams. The Ethio Stars play a
more complex jazz and reggae (those clever Skatalites!)
sound with lovely soloing on the trumpet and saxophone. The
Tukul Band’s sound is more rustic and seems to have stronger folk and
traditional roots. Altogether a nice
window into music making in a time that was hell.
Track
Listing:
Ethio Stars
01 Tiz
Balegn Gize
02 Eshet Eshet
03 Yetentu Tez Alew
04 Kermosew
05 Yekereme Fikir
06 Aderech Arada, Befikir -
Menged Lay Woodike
Tukul Band
07 Bugalu
08 Akale Woube
09 Konso Music
10 Sound Of Washint & Masinko
11 Wallel Beli
Listen here.
2 comments:
Excellent,thoughtful post. Thank you.
Do you know when these songs were recorded, or at least a ball park figure?
Hi Holly, around 1981 I believe. Though the Red Terror 'officially' ended in 1978, Mengistu didn't loosen things even slightly till around '87.
Post a Comment